Beat Beethoven Virtual Fun Run

WOW! Thank you to everyone who took part in our Virtual Beat Beethoven!

Over the course of the week, we had nearly 200 people participate in this walk/bike/run. We want to send a special thank you to the people who joined us from Columbia, Guatemala, and Scotland!

Although the run is done – you can still give it a go and enjoy getting active to this incredible music. 2020 marks the 250th anniversary of Beethoven’s birth, so its a great time to soak in his music any way you can.

 

Beat Beethoven – Don Cochrane

1: Pick your distance/music – playlists below!

2: Set up your running app – like Strava, Runkeeper, MapMyRun, etc

When it comes time for your Beat Beethoven run, press start on your chosen playlist and then press start on your app to keep track of your distance and time. You can keep track of distance or steps, that’s up to you! When you have completed the run/walk/bike stop your app and pause the playlist to see if you Beat Beethoven!

3: After your run share it with us! #SSOBeatBeethoven

Each Beat Beethoven run/walk/bike you do from May 24 – May 30 can be used to enter the draw for a prize pack from Brainsport. Upload a screenshot of your run time and where you stopped on your Beat Beethoven Playlist for your entry. Feel free to send us a Beat Beethoven selfie too!

Upload your photos to enter the draw!
Click here to upload photos

You can also post a picture/story on social media with #SSOBeatBeethoven. We will share them on our social media. 

PLAYLISTS

A true passionate spirit – just like Beethoven! A brisk 5km with one of the most iconic pieces of music ever written.

Run to his epic 5th symphony (about 30 mins):
IDAGIO
SPOTIFY
APPLE MUSIC

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You’re looking for the ultimate inspiring run – feel the joy of Beethoven 9! Feel the thrill of getting closer to your goal as the choir comes in with one of the most powerful moments in all of music.

Run to Beethoven’s Choral Symphony (about 60 mins):
IDAGIO
Spotify
Apple Music

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Time to explore nature on your bike – take a ride with Beethoven and his Pastoral Symphony! Hear the birds, watch the clouds, and soak in one of Beethoven’s most beautiful pieces of music.

Bike to Beethoven’s Symphony 6 (about 40 mins):
IDAGIO
Spotify
Apple Music

[divider]

Don’t worry, it’s not all about the distance – take a chance to go for a great walk and explore these great Beethoven playlists!

Playlists to enjoy:
IDAGIO
Spotify
Apple Music

From Bach To Bartok Online Class

From Bach to Bartok – with Music Director Eric Paetkau

Free online class for SSO subscribers – if you’re not a subscriber but would like to give the class a try email us at classes@saskatoonsymphony.org

Take a fascinating journey through some of the greatest symphonic music ever written. From Bach to Beethoven to Brahms to Bartok, we’ll dive into the works of famous composers and look at them from a conductor’s perspective. There will be musical excerpts, juicy stories, and lots of Q&A.  Join me for a fun, fact-filled exploration of classical music’s masterworks and get a behinds-the-scenes look at what makes this music great.

-Eric Paetkau

Classes take place Fridays at 11am – videos of each class will be available to subscribers until June 30th.

Week 1, April 17. Baroque orchestral works – Bach, Handel, and more,
Week 2, April 24. Classical symphonies – Mozart, Haydn, and more,
Week 3, May 1. Beethoven Fest  1 – overview of the Beethoven Symphonies 1-5
Week 4, May 8. Beethoven Fest 2 – overview of the Beethoven Symphonies 6-9
Week 5, May 15. Early romantic symphonies – Mendelssohn, Schumann, and more,
Week 6, May 22. Later romantic symphonies – Brahms, Tchaikovsky, Dvorak, and more,
Week 7, May 29. Early 20th Century symphonic works – Strauss, Mahler, Sibelius, and more,
Week 8, June 5. Other 20th Century symphonic works – Bartok, Shostakovich, Stravinsky, and beyond

The classes take place live on Zoom – its an easy to use online program that lets you join the class.

Classes are reserved for subscribers – to get access to the recorded classes email us at classes@saskatoonsymphony.org

You DO NOT need to have an account with Zoom to join the class – watch the video below to learn more about how to use Zoom for this class.


 

SSO For You

It’s strange to not be able to make music with your friends – and even stranger that we weren’t getting to make music FOR our friends!

While we all stay home to flatten the curve, the SSO wanted to bring you some special programming to enjoy from the comfort of your home.  Eric and the musicians have been busy working with the staff to create ways to connect with you during this time!

Meet the Musicians in Your Neighbourhood

Tuesdays and Thursdays at 7pm on at www.facebook.com/saskatoonsymphony

Join Maestro Eric Paetkau every Tuesday and Thursday on Facebook live for a chance to talk to the musicians that make the SSO awesome.  Each episode gets chatty and explores how each person came to call Saskatoon home, their musical influences, and so much more!

Click to watch

Classical Now on CFCR

Mondays, 7:00-8:30pm on CFCR www.cfcr.ca

Join our ED Mark Turner each Monday night for Classical Now – dig deeper into your music library and find out more about the behind the scenes stories of composers/performers and their music.  Discover music new and old and maybe even learn something on the way!

Online Performances

We are going to be sharing some music with you – some from past performances, and some filmed just for social media.  It’s a mix of stuff you’ll know well and stuff you should know better (it slaps, as the kids would say!).  We’ll be posting videos on Faecbook, Instagram, and YouTube – so keep your eyes pealed!

SSO Trivia!

with Richard and Stephanie – dates TBD

If you’ve been to one of our After Dark performances, you’ll know what we’re talking about!  From the musicians who brought you “Name that Tune on the Bassoon” and that weird thing with the cheese, we’re going to have a few trivia nights led by Richard and Stephanie to test your knowledge of all things pub-trivia mixed in with some music!

Beethoven 250 Festival

May 2nd to 8th

The festival week we had planned may have had to be cancelled, but we’ve got something up our sleeves for the stay-at-home edition.  Join us for some learn opportunities, catch some music, get interactive with the SSO!  Details announced soon!

Kids Learning Opportunities

Every day at 10am we’re posting a cool activity for your kids to try out – head over to our Facebook and check out the daily activity.

 

And more…

We have a bunch of plans in the works – maybe you’ll learn about the 12 most important symphonies ever, or how to make a double reed!  We are adjusting to this new world of having to connect with each other and with all of you in new ways – and its going to be a unique way to make music more during this difficult times!

Classical Music Online For You

With the impact of COVID-19 being felt around the globe, its become even more clear that music is something we all need at this time – and while we can’t gather together for performances, the classical music world is moving online as quickly as possible!

So we wanted to pull together some of our top picks for where to catch some brilliant performances online during this time.

Berlin Philharmonic Digital Concert Hall

One of the world’s most beloved classical music institutions has a 30 day free trial available of their Digital Concert Hall.  With that 30 day trial, you have access to hundreds of hours of music and live performances that you can enjoy!
You do have to sign up for the 30 day free trial.

Click for More

LA Phil

The Los Angeles Philharmonic has made itself an orchestra in a class of its own.  Their LA Phil Watch and Listen is always available and always free – they’ve got everything from concerts to interviews and more!

Click for More

Metropolitan Opera

The Met’s HD Broadcasts changed the game over a decade ago – and now they’re bringing you an HD Broadcast everyday on their website.  They announce their weekly line up the week before, and the videos are live on their website for 24hrs.

Click for More

Saskatoon Public Library – Naxos Music Library

Here’s something very special for folks with a library card!
You can sign on to the Saskatoon Public Library’s Digital Library Resources and with that you have full access to the Naxos Classical Music Library – it’s one of the largest online streaming systems and brings you a remarkable wealth of things to listen to!

Click for Digital Library

Enjoy the SSO!

We have lots of online opportunities you can enjoy from home:

On our Facebook – www.facebook.com/saskatoonsymphony

Kids Music Activity -a special musical education activity to posted everyday at 10am

Take a Listen to This – a piece of music we think you’ll love, posted everyday at 8:30pm

Meet the Musicians in Your Neighbourhood – hosted by Eric Paetkau – Tuesdays and Thursdays at 7pm
Eric is joined by musicians in the SSO, and friends of the SSO, in conversations about music, life, and more.  When the chats are live, you can ask questions too!

Video Archive
We’ll be releasing some videos from past concerts – including our performances of Piazzolla’s Four Season of Buenos Aires

 

The Show Will Go On, Someday

Last Monday, if you’d told me that we’d be postponing concerts by the end of the week, I wouldn’t have believed you. It felt like the pandemic was something happening elsewhere, not here. It didn’t really seem real for us.

But as the week progressed, each hour brought new news. First the JUNOs (heartbreaking as the SSO was going to be playing with Jann Arden!). Then we had to postpone our Accent with the SSO concert because we weren’t able to get all six of the groups members here. Then the last few shows of our SaskTel Symphony in Schools Tour was cancelled. Then we postponed our Mozart Reimagined project with Saskatoon Opera and FreeFlow Dance. And our Music Talk at McNally for March 31st has been cancelled. And I’m sure more is on the way.

As of this morning, we are still taking things hour by hour. We’re looking ahead to the programming planned for the next few weeks and realizing that there are more postponements and cancellations in sight.

Some of these events will have to be cancelled, but the goal for us is to reschedule some of the events for a future date. I have no idea when, but I do know that we want to keep sharing music – and I have two reasons why I feel strongly we need to reschedule.

Firstly, our musicians. We are all grateful to be able to do our part in social distancing to try and slow the spread of COVID-19, but these measures will be devastating to our local musicians. They already have been. It highlights how exceptionally fragile working in the arts is. We all love to reap the benefits of having artists in our communities, but we have yet to find a way to ensure their stability as members of our communities. It’s something that we have to work on going forward, but more importantly, its something that we’re starring in the face right now. Most musicians in our community do not qualify for EI, and many of them will see a reduction or total loss of work.

On top of that, the financial risk this poses to the SSO, and all arts organizations, is drastic. My administrative team is working non-stop on trying to figure out what we can do. How do we support our musicians and remain afloat?  Can we find ways to soften the blow? And how do we even keep our doors open if the remainder of the season is shuttered?

The second reason I have for wanting to reschedule is that when the time comes for us to end social distancing, the need for us all to come together to participate in the act of making music will be key to finding our identity as a community again. We will need to be social, and a concert is one of the most joyous ways to come together and be part of something again. It will help us all rebuild emotionally and mentally after these strange days.

All of the tickets held to a postponed event will be honoured – we want to have you there when we get music back on its feet in Saskatoon. If you want you can ask for a refund as well, or you can choose to donate your purchased ticket to the SSO.  We’ve had a number of people do this already, and it means the world to us – it helps us continue to operate in this very difficult time and let’s us give you a tax receipt for your support.

The last few days have been very difficult, but I have been overwhelmed by supporters of the SSO reaching out wanting to help. I can not tell you how wonderful it feels to know that people are thinking of their orchestra at this time. I’ve been humbled by the people phoning in to make donations. I’ve been touched to see the care and respect our community has for its music makers.

Please keep subscribing to our 90th season – this fall will be an even bigger celebration than we could have expected, so we want to share that with you!  Your subscription helps the SSO stay stable moving beyond this fiscal year.

And the most meaningful help is making a donation.  This time of year is our largest in terms of the donations we receive – if donations drop off on top of losing ticket revenues, it will spell disaster for your SSO.

None of us ever imagined this kind of global scenario would play out – and all of us are feeling the impact. Social distancing and self-isolation are needed right now. But a time will come when we will need the communion of being together again to make music, and those will be such wonderful events.

Please support your local symphony – we all need you more than ever.

Stay well,
Mark Turner
Executive Director
Saskatoon Symphony Orchestra

Postponing Accent with the SSO

I’m very sad to announce that we need to postpone our March 21st concert with Accent.

Over the last few days, I have been working very closely with orchestras across the country, our venues, our funders, and with the SSO Board President Dr Anne Doig (former President of the Canadian Medical Association), and keeping a constant eye on Public Health advisories.

Currently, the risk to Saskatchewan residents is low and no venues have been closed. But this morning I discussed with Accent that they are uncertain of the travel options for a number of their group members, and rather than risking a show that wouldn’t be to the standard either party would want, we decided its best to postpone.

This concert has been such a thrill to put together with Accent – and we are so excited to share it with Saskatoon. So under these circumstances all parties agreed that this was something we will reschedule.

Over the next few weeks we’ll find a time to reschedule the event and keep you informed of the date.

All tickets for next weekend’s concert will be honoured for the rescheduled event.

If you’d prefer to not hold on to your ticket for the rescheduled event, we have two options for you:

  • chose to donate your ticket back to the SSO, and receive a tax receipt
  • request a refund for those tickets

As of this morning, we have no plans to postpone any other events – but we are monitoring the situation closely and want to do what’s in the best interest of safety and public health.

The financial impact that the COVID-19 pandemic could have to the SSO and our musicians is devastating.  So we are working hard to try and figure out what happens next.
I know that the stock market and pandemic have all of us worried – but I urge you as music lovers to consider the risk that this poses to the beloved musicians of the SSO.  My staff and I are working hard to put in to place contingency plans in a hope to ensure the well being of the SSO and its musicians and staff, physically and financially.  Our city is lucky to have the musicians and orchestra, and this current situation gives us a chance to show our support for them.

Our patrons and our musicians mean a lot to us – so please stay well.

Sincerely,
Mark Turner
Executive Director

For any questions please feel free to email office@saskatoonsymphony.org, call the SSO at 306-665-6414

A few more SSO gift ideas!

We couldn’t fit all our Christmas gift ideas for the classical music lover in your life into one post….so, we have two more brilliant ideas!

For the Piano Lovers

We all have that family member or friend who absolutely love the piano – and this year it works out perfectly to be able to get that person tickets to one of our concerts featuring two amazing pianists with two truly awesome pieces!

Jane Coop

– playing Beethoven’s Forth Piano Concerto

Saturday, May 2, 2020

This concert will mark Jane Coop’s sixth visit with the SSO. Long time fans and subscribers may remember her performing Beethoven’s first piano concerto in 2001, and now she will be gracing audiences with Beethoven’s third.

Paired with the Pastoral Symphony, this concert will satisfy all the Beethoven lovers, too!

Cancelled – Beethoven 250

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Thomas Yu

– playing Camille Saint-Saëns’ Egyptian Concerto

Saturday, February 8, 2020

Thomas Yu will also be returning, this being his fifth time with the SSO! Now it will be with the exotic sounds of Saint-Saëns fifth piano concerto.

Adding the flavour of Vincent Ho’s Earthbeat, Nicole Lizee’s Behind the Sound of Music, and Igor Stravinky’s Pulcinella Suite will make the palette of this concert quite an exciting and spicy treat.

Thomas Yu with the SSO

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Now…what about the art lover on your list?!

Artist Denyse Klette is a superstar….on top of being an artist whose work shows around the globe, and also on top of running Boheme Gallery here in Saskatoon, she somehow found total artistic genius to partner up with the SSO for her Composers Series.

 

 

 

Mozart was like his music.  Playful, humourous, glamourous, bursting with colour, and full of life!
The first in the series, Mozart has been a big splash with music lovers – he is the epitome of what we love most about making music.

 

 

 

“I am a Lonely Painter, I Live in a Box of Paints” – Denyse Klette

 

 

“I am a lonely painter.  I live in a box of paints”
Joni Mitchell endures.  Her words have a timelessness to them, and her music is all at once simple and devastatingly complex.  Klette’s take on Joni allows for the viewer to feel the movement and intimacy of Joni’s music, while referencing her song “A Case of You”.

 

 

 

 

 

 

 

There is only one Beethoven.
Revolutionary. Brilliant. Powerful. Bold. Iconic.
Klette’s Beethoven is fearless and refuses to fit in – she somehow finds as many colours to match his vast musical palette.  His intense gaze and wild hair truly unforgettable!

 

To get a limited print of these incredible paintings, you can stop in at the SSO offices or purchase online at dklette.com

Sing-Along Messiah FAQs

Messiah time is almost here! We love putting together and performing Handel’s Messiah each year. If it were possible we would fit everyone from Saskatoon’s large choral community on stage with us for one amazing choir. Since there isn’t nearly enough room up front (and scheduling rehearsals would be a nightmare) we have the Sing-Along Messiah the afternoon after the Messiah performance. Choral professionals and enthusiasts alike join in singing beloved Messiah choruses as one huge choir.

Always wondered about the Sing-Along but you’ve never taken the leap? Have no fear! Here are some answers to the frequently asked Messiah Sing-Along questions.

Where and when is the Sing-Along?

The Sing-Along is Saturday, December 16th at 2:30 pm in Knox United Church. This is the same location for the Friday night performance. Doors open at 1:45 pm so come early to get your seat (and perhaps do a warmup or two)!

How do I get tickets?

Tickets are available online and at the door. Tickets are $25.  Our #25Below is in effect at the door! ($15 for anyone 25 and under with ID at the ticket table).

Do I have to sing?

No! We do not force everyone to sing. If you want to come enjoy our soloists, and an incredibly large choir, come watch and listen.

Where do the singers sit?

We divide the main floor into sections (Soprano, Alto, Tenor, Bass) so you can sit with your voice type (your people!). This way it is easier for those sight reading or experiencing their first Sing-Along. Confidence in numbers!

How do I know when to sing?

Our Saskatoon Symphony Chorus Conductor Duff Warkentin will be there to lead the charge! Keep your eyes on the baton as there are changes in tempi. All sing-along portions are bolded in the program with page numbers.

Can I sing the soloist parts?

We invite you to sing along with our Saskatoon Symphony Chorus. Our soloists will be there for the recits and arias. In this relaxed setting, they might try out a  few new ornaments! So sit back, relax, and enjoy their exceptional voices.

What if I don’t have a Messiah score?

Not to worry. We have several copies (at least 80) that we lend out for the performance. Please make sure to return them after the sing-along as they belong to the University of Saskatchewan Music Department and the SSO!

Is Joy to the World in Messiah?

Have you ever been listening to Handel’s Messiah and thought “wait, is that Joy to the World?”  

Well no, you’re not hearing Joy to the World, but you’re not completely wrong.

Joy to the World is considered to be the single most published Christmas song/hymn – its been recorded and performed by every choir, orchestra, soloists, jazz trio, pop artist, and even a rap group or two.  It’s one of those songs that everyone knows.  But who wrote it? 

English hymn writer Isaac Watts wrote the words to Joy to the World in 1719 – by that point he was already noted for his work as a hymnist.  Watts’ words for the Christmas anthem eventually became paired with a few musical settings, but one stuck.

The music’s origins are unclear. The name “Antioch” is generally used for the tune. It is often attributed to George Frideric Handel (1685–1759) on the grounds of a ‘chance resemblance’ to choruses in the oratorio Messiah (premiered 1742), not least because a theme of the refrain (And heaven and nature sing…) appears similar to the orchestral opening and accompaniment of the recitative Comfort ye. Likewise, the first four notes seem to match the beginning of the choruses Lift up your heads and Glory to God from the same oratorio. However, there is no autographed score by Handel and no currently known documentary evidence to suggest that Handel wrote it, so ‘Antioch’ remains, at best, a skillful collection of borrowings from Handel. 

Other hymnals credit the tune to Lowell Mason (1792–1872), who introduced it to America (US) in 1836 as ‘arranged from Handel’. But, in 1986, John Wilson showed that ‘Joy to the World’ was first published in two English collections, one firmly dated 1833. Being three years earlier, this is thought to exclude Lowell Mason from being the composer, but his original attribution remains a likely cause of the often-stated link to Handel.

 

Meet Heather Schmidt

Heather Schmidt’s unique dual talents as a pianist and composer have garnered praise from the press, describing her as “a brilliant virtuoso pianist”, “poised and utterly musical”, “a great artist”, and “as much a pianist in the professional sense as she is a composer”.

Her acclaim in both her native country of Canada and on the international musical scene comes from her many successes as a virtuoso soloist and composer including performances, broadcasts, commissions and awards in Canada, the United States, Russia, Finland, Iceland, France, Germany, Switzerland, Poland, the Czech Republic, England, Cyprus, Mexico, Brazil, and the British West Indies.

Heather began studies in piano and composition at the age of 4, and composition at the age of 5. She pursued double majors in piano performance and composition throughout her musical education. She studied at Juilliard in New York City and at Indiana University, where, at age 21, she became the youngest student to receive a Doctor of Music degree.

Since these formative years she has received numerous accolades, including a nomination for the prestigious “Juno” award, the Canadian equivalent of the “Grammy”, in the category of “Best Classical Composition.” As a virtuoso soloist, she received First Place in the Eckhardt-Gramatté National Music Competition, and First Place, the Audience Choice Award, and the Maestro’s Choice Millennium Foundation Award at the Canadian Concerto Competition. Composition awards include three consecutive Broadcast Music Inc. (BMI) Awards, SOCAN Composer Awards, the Zwilich Prize in the International League of Women Composers Competition, the Juilliard Composers Competition, and the Dean’s Composition Prize at Indiana University.

As a virtuoso pianist, Heather excels in both traditional and contemporary repertoire, offering audiences her unique perspective on the standard repertoire of the past, her own works, and the works of other living composers. In addition to her solo recitals, she regularly performs as a guest soloist with orchestras, including exciting performances of her own six piano concertos. She is also a sensitive and much in demand chamber musician, especially well known for her long-time collaboration with Canadian cellist Shauna Rolston.

Heather’s performances and performances of her compositions have not been restricted to concert halls, and also include numerous television and recordings appearances. The first televised performance occurred when she was only 8 years of age. More recently, she appeared on the BRAVO Classical Now Series. Her most recent recordings include: Nebula, a CD of her piano performances of her own solo piano compositions on CMC Centrediscs; a CD of solo piano works by Fanny Mendelssohn-Hensel for the NAXOS label; “Shimmer”, a solo piano CD of works by various composers from Baroque through contemporary eras; and “Icicles of Fire”, a CD of works she composed and performs with cellist Shauna Rolston.

Heather’s extensive catalogue of concert music compositions includes works for solo instruments, chamber ensembles, orchestras as well as for vocal/choral genres. She has received commissions from prestigious sources such as the CBC (Canadian Broadcasting Corporation), Canada Council for the Arts, the Alberta Foundation, WDR (Westdeutsches Rundfunk in Germany), the Elaine Kaufman Cultural Center, the New York State Council for the Arts, the Dallas Symphony Orchestra, and the Harvard Musical Association.

At age 19, she was asked to write the required competition work for the 1995 Banff International String Quartet Competition. Since then this work that has been performed throughout North America and Europe. Ms. Schmidt has also composed imposed test pieces for other major competitions, including the CBC Young Performer’s Competition (Chaconne, 1999), the Ester Honens International Piano Competition (Nebula, 2006), and the Eckhardt-Gramatté National Piano Competition (Night Rainbow, 2007). She has held numerous composer residencies, including a long-term residency with the Hamilton Philharmonic Orchestra.

As a composer of film, television and video games, Heather’s recent projects include Empire of the Sharks for SyFy channel, Jurassic School for Netflix, Break-Up Nightmare for Lifetime TV, Elvis Lives for AXS TV, the independent comedy feature How to Get Rid of a Body and Still Be Friends, and the video game Homesick.

In addition to being the composer, Heather also wrote and directed two short films – Midnight Violin, for BRAVO TV in Canada funded by BravoFACT, and The Uninvited Ghost. Heather is also the creator and co-executive producer of Animal Planet’s 2016 TV series Life at Vet U.

Heather’s creative interests have recently expanded to writing. In August 2018, she signed with literary manager Jeff Portnoy of Bellevue Productions as a screenwriter for film and TV. She also has aspirations as a writer of picture books and Young Adult novels.

Born and raised in Calgary, Alberta, Heather holds dual Canadian and American citizenship. She currently lives in Los Angeles with her husband and her pets.

A huge animal lover, she has many rescues — three dogs, three cats, a pigeon and a horse (plus a few fish!). In 2016, she launched a nonprofit 501c3 dog rescue called Hollywood Huskies, which in its first two years has rescued over 120 dogs. In January 2018, she opened a sister not-for-profit husky rescue in her hometown of Calgary called Halo Husky Haven.

We’re thrilled to feature Heather’s Lunar Reflections as part of our October 19th concert.