Sonia Reid

Sonia Reid

AN ARTICLE FROM THE STAR PHOENIX
By Darlene Polachic

“As a gospel singer, I’m here to tell the story,” she says. “Gospel music is your testimony, your life. In black gospel music, particularly, the songs we sing talk about victories and trials, highs and lows, and how through it all God still gets the glory.”

Reid Noble says while black singers like Mahalia Jackson set the style and the stage for gospel music, there are many more branches of the genre today. Sonia’s music, for instance, “is more R&B-ish.”

Reid Noble grew up in Hamilton, Ontario, the daughter of a pastor. She was drawn to music early and began singing and playing the piano at the age of eight.

She became active in the music of the church as a youth, and it was where she identified her musical gift.

“I sang solos and participated in choirs and musical groups, and was involved in lots of singing ministry with other youth from my church, including leading the congregation in worship. Music was part of who we were.”

At 17, Reid Noble began studying voice with the Royal Conservatory of Music, then moved on to Redeemer University College, where she earned a Bachelor of Arts in music with a focus on classical voice. She also spent several years doing postgraduate work. During that time, she says, she learned more about church music.

While she was trained as a classical soprano, Reid Noble says she’s more of an alto when she’s singing gospel music.

She has worked professionally all across Canada, in the U.S., and in the Caribbean.

Reid Noble’s debut CD, ‘In You,’ was released in 2009.

One of the many ways Reid Noble shares her love for music is through teaching. For the past 25 years, she has taught vocal lessons to students of all ages, inspiring them to become musically confident. She believes music must first resonate with the artist in order for them to have a powerful impact with it.

While the climate for music performance in Saskatchewan is a healthy one, Reid Noble says she has taken her time becoming established, thanks in part to being a mom to her two children, ages three and five.

“Of course, I began singing in the church our family attends,” she says, “and a surprising opportunity came when I was invited to sing the national anthem before several Roughrider games. That was an amazing experience.”

Reid Noble was the special guest performer at Elim Church’s Christmas presentation for a couple of years, and in 2017, she did her first singing gig at The Bassment, where she performed before a sold-out audience. She performed there twice last year, and is booked to appear again in February.

Reid Noble says gospel music is part of her programs at The Bassment, “but not all. I do Soul and R&B, as well. I tell people I think I’m old enough now to sing about love.”

I have spent my life singing and learning music. From piano lessons as a child to a degree in music from Redeemer University, and continued training. I see music as something I can never learn enough about. Being able to share the gift of music with an audience or a vocal student bring great joy.

https://www.soniareidstudios.com/

Alex Brown, guest host

For more than a decade, Alex Brown has been delighting audiences across Canada with her bubbly personality and quick wit as a host and news anchor on CTV, and online as a social media personality.

Born and raised in Regina, Saskatchewan, Alex now calls Saskatoon home. She moved to Pickering, Ontario with her family in 2004, and attended Toronto Metropolitan University (formally known as Ryerson University) for Radio and Television Arts from 2010 to 2014. In 2013, she took on an internship at CTV Regina, before being hired as a chase producer for CTV Morning Live. From 2014 to 2018, she worked as a producer, web writer, live reporter, anchor, weather presenter, and social media host in Regina, before taking on a new role in 2018 at CTV Morning Live Winnipeg. There, she took on the role of Traffic Reporter, along with live reporting, crime reporting, and backfill hosting.

In spring of 2020, she finally landed her dream job as a news anchor and co-host on CTV Morning Live Saskatoon, where she spent four years cultivating a trusted relationship with her audience, both on television and online.

Alex now lives in Saskatoon with her partner Brad and their curious cat Luna. They love exploring the prairies, filming adventure videos and finding hidden gems around Saskatchewan.

Johannes Passion Text & Translations

Leslie Dala, conductor
Angela Gjurichanin, soprano
Emma Parkinson, mezzo-soprano
Asitha Tennekoon, tenor

Raphaël Laden-Guindon, bass
SSO Chorus with Duff Warkentin

Recit roles:

Asitha Tennekoon, Evangelist
Raphaël Laden-Guindon, Jesus
Matthew Praksas, Petrus, Pilatus
Michael Friesen, Servus/Diener
Angela Gjurichanin, Ancilla/Magd

 

Original
Erster Teil

1. Chor
Herr, unser Herrscher, dessen Ruhm
in allen Landen herrlich ist!
Zeig uns durch deine Passion,
dass du, der wahre Gottessohn,
zu aller Zeit,
auch in der größten Niedrigkeit,
verherrlicht worden bist!

Translation
Part One

1. Chorus
O Lord, our ruler,
whose glory is magnified in all lands,
testify to us by thy Passion
that thou, the true Son of God,
hast at all times,
even in time of deepest lowliness,
been glorified.

2. Rezitativ
Evangelist
Jesus ging mit seinen Jüngern über den Bach Kidron, da war ein Garte, darein ging Jesus und seine Jünger. Judas aber, der ihn verriet, wusste den Ort auch, denn Jesus versammlete sich oft daselbst mit seinen Jüngern. Da nun Judas zu zich hatte genommen die Schar und der Hohenpriester und Pharisäer Diener, kommt er dahin mit Fackeln, Lampen und mit affen. Als nun Jesus wusste alles, was ihm begegnen sollte, ging er hinaus und sprach zu ihnen:

Jesus
Wen suchet ihr?

Evangelist
Sie antworteten ihm:

Chor
Jesum von Nazareth.

Evangelist
Jesus spricht zu ihnen:

Jesus
Ich bin’s.

Evangelist
Judas aber, der ihn verriet, stund auch bei ihnen. Als nun Jesus zu ihnen sprach:Ich bin’s, wichen sie zurücke und fielen zu Boden. Da fragete er sie abermal:

Jesus
Wen suchet ihr?

Evangelist
Sie aber sprachen:

Chor
Jesum von Nazareth.

Evangelist
Jesus antwortete:

Jesus
Ich hab’s euch gesagt, dass ich’s sei, suchet ihr denn mich, so lasset diese gehen!

2. Recitative
Evangelist
Jesus went forth with his disciples over the brook Cedron, where was a garden, into which he entered, and his disciples. And Judas also, which betrayed him, knew the place; for Jesus ofttimes resorted thither with his disciples. Judas then, having received a band of men and officers from the chief priests and Pharisees cometh thither with lanterns and torches and weapons. Jesus therefore, knowing all things that should come upon him, went forth, and said unto them,

Jesus
Whom seek ye?

Evangelist
They answered him,

Chorus
Jesus of Nazareth.

Evangelist
Jesus saith unto them,

Jesus
I am he.

Evangelist
And Judas also, who betrayed him, stood with them. As soon as he had said unto them, I am he, they went backward, and fell to the ground. Then asked he them again,

Jesus
Whom seek ye?

Evangelist
And they said,

Chorus
Jesus of Nazareth.

Evangelist
Jesus answered,

Jesus
I have told you that I am he: if therefore ye seek me, let these go their way.

3. Choral
O grosse Lieb, o Lieb ohn alle Maße,
die dich gebracht auf diese Marterstraße!
Ich lebte mit der Welt in Lust und Freuden,
und du mußt leiden.

3. Chorale
O great, boundless love,
that hath brought thee
to this path of martyrdom!
I lived among the worldly
in contentment and pleasure
and thou must suffer!

4. Rezitativ
Evangelist
Auf daß das Wort erfüllet würde, welches er sagte: Ich habe der keine verloren,die du mir gegeben hast Da hatte Simon Petrus ein Schwert und zog es aus und schlug nach des Hohenpriesters Knecht und hieb ihm sein recht Ohr ab; und der Knecht hieß Malchus. Da sprach Jesus zu Petro:

Jesus
Stecke dein Schwert in die Scheide! Soll ich den Kelch nicht trinken, den mir mein Vater gegeben hat?

4. Recitative
Evangelist
That the saying might be fulfilled, which he spake, Of them which thou gavest me have I lost none. Then Simon Peter having a sword drew it, and smote the high priest’s servant, and cut off his right ear. The servant’s name was Malchus. Then said Jesus unto Peter,

Jesus
Put up thy sword into the sheath: the cup which my Father hath given me, shall I not drink it?

5. Choral
Dein Will gescheh, Herr Gott,zugleichauf Erden wie im Himmelreich.
Gib uns Geduld in Leidenszeit,
gehorsam sein in Lieb und Leid;
wehr und steur allem Fleisch und Blut,
das wider deinen Willen tut!

5. Chorale
Thy will be done, O God, our Lord,
on earth as it is in heaven;
give us patience in time of trouble,
obedience in love and grief,
restrain and check all flesh and blood
that acts contrary to thy will.

6. Rezitativ
Evangelist
Die Schar aber und der Oberhauptmann und die Diener der Jüden nahmen Jesum und bunden ihn und führteten ihn aufs erste zu Hannas, der war Kaiphas Schwäher, welcher des Jahres Hoherpriester war. Es war aber Kaiphas, der den Juden riet, es wäre gut, daß ein Mensch würde umbracht für das Volk.

6. Recitative
Evangelist
Then the band and the captain and officers of the Jews took Jesus, and bound him, and led him away to Annas first; for he was father-in-law to Caiaphas, which was the high priest that same year. Now Caiaphas was he, which gave counsel to the Jews, that it was expedient that one man should die for the people.

7. Arie (Alt)
Von den Stricken meiner Sünden
mich zu entbinden
wird mein Heil gebunden.
Mich von allen Lasterbeulen
völlig zu heilen,
läßt er sich verwunden.

7. Aria (Alto)
To set me free
from my sins’ chain,
my Saviour is being bound;
to heal me quite
of all the sores of vice,
he allows himself to be wounded.

8. Rezitativ
Evangelist
Simon Petrus aber folgete Jesus nach und ein andrer Jünger.

8. Recitative
Evangelist
And Simon Peter followed Jesus, and so did another disciple.

9. Arie (Sopran)
Ich folge dir gleichfalls mit freudigen Schritten
und lasse dich nicht,
mein Leben, mein Licht.
Befördre den Lauf
und höre nicht auf,
selbst an mir zu ziehen, zu schieben, zu bitten.

9. Aria (Soprano)
I, too, follow thee with joyful steps,
and will not let thee go,
my life, my light.
Show me the way
and do not cease
to push me, to pull me, to encourage me.

10. Rezitativ
Evangelist
Derselbige Jünger war dem Hohenpriester bekannt und ging mit Jesu hinein in des Hohenpriesters Palast. Petrus aber stund draußen für der Tür. Da ging der andere Jünger, der dem Hohenpriester bekannt war, hinaus und redete mit der Türhüterin und führete Petrum hinein. Da sprach die Magd, die Türhüterin, zu Petro:

Magd
Bist du nicht dieses Menschen Jünger einer?

Evangelist
Er sprach:

Petrus
Ich bin’s nicht.

Evangelist
Es stunden aber die Knechte und Diener und hatten ein Kohlfeu’r gemacht (denn es war kalt) und wärmeten sich. Petrus aber stund bei ihnen und wärmete sich. Aber der Hohepriester fragte Jesus um seine Jünger und um seine Lehre. Jesus antwortete ihm:

Jesus
Ich habe frei, öffentlich geredet für der Welt. Ich habe allezeit gelehret in der Schule und in dem Tempel, da alle Juden zusammenkommen, und habe nichts im Verborgnen geredt. Was fragest du mich darum? Frage die darum, die gehöret haben, was ich zu ihnen geredet habe! Siehe, dieselbigen wissen, was ich gesaget habe.

Evangelist
Als er aber solches redete, gab der Diener einer, die dabeistunden, Jesu einen Backenstreich und sprach:

Diener
Solltest du dem Hohenpriester also antworten?

Evangelist
Jesus aber antwortete:

Jesus
Hab ich übel geredt, so beweise es, daß es böse sei, hab ich aber recht geredt, was schlägest du mich?

10. Recitative
Evangelist
That disciple was known unto the high priest, and went in with Jesus into the palace of the high priest. But Peter stood at the door without. Then went out that other disciple, which was known unto the high priest, and spake unto her that kept the door, and brought in Peter. Then saith the damsel that kept the door unto Peter,

Maid
Art not thou also one of this man’s disciples?

Evangelist
He saith,

Peter
I am not.

Evangelist
And the servants and officers stood there, who had made a fire of coals; for it was cold: and they warmed themselves: and Peter stood with them, and warmed himself. The high priest then asked Jesus of his disciples, and of his doctrine. Jesus answered him,

Jesus
I spake openly to the world; I ever taught in the synagogue, and in the temple, whither the Jews always resort; and in secret have I said nothing. Why askest thou me? Ask them which heard me, what I have said unto them: behold, they know what I said.

Evangelist
And when he had thus spoken, one of the officers which stood by struck Jesus with the palm of his hand, saying,

Officer
Answerest thou the high priest so?

Evangelist
Jesus answered him,

Jesus
If I have spoken evil, bear witness of the evil: but if well, why smitest thou me?

11. Choral
Wer hat dich so geschlagen,
mein Heil, und dich mit Plagen
so übel zugericht’?
Du bist ja nicht ein Sünder
wie wir und unsre Kinder,
von Missetaten weißt du nicht.

Ich, ich und meine Sünden,
die sich wie Körnlein finden
des Sandes an dem Meer,
die haben dir erreget
das Elend, das dich schläget,
und das betrübte Marterheer.

11. Chorale
Who has beaten thee thus,
my Saviour, and with torments
so mistreated thee?
Surely, thou art not a sinner,
as we are, and our children;
thou knowest nothing of misdeeds.

I, I and my sins,
that are as the grains
of the sand by the sea,
it is they that have caused
thee the misery that lays thee low,
and the dejected host of martyrs.

12. Rezitativ
Evangelist
Und Hannas sandte ihm gebunden zu dem Hohenpriester Kaiphas. Simon Petrus stund und wärmete sich, das sprachen sie zu ihm:

Chor
Bist du nicht seiner Jünger einer?

Evangelist
Er leugnete aber und sprach:

Petrus
Ich bin’s nicht.

Evangelist
Spricht des Hohenpriesters Knecht’ einer, ein Gefreundter des, dem Petrus das Ohr abgehauen hatte:

Diener
Sahe ich nicht im Garten bei ihm?

Evangelist
Da verleugnete Petrus abermal, und alsobald krähete der Hahn. Da gedachte Petrus an die Worte Jesu und ging hinaus und weinete bitterlich.

12. Recitative
Evangelist
Now Annas had sent him bound unto Caiaphas the high priest. And Simon Peter stood and warmed himself. They said therefore unto him,

Chorus
Art not thou also one of his disciples?

Evangelist
He denied it, and said,

Peter
I am not.

Evangelist
One of the servants of the high priest, being his kinsman whose ear Peter cut off, saith,

Servant
Did not I see thee in the garden with him?

Evangelist
Peter then denied again: and immediately the cock crew. Then Peter remembered the word of Jesus, and went out, and wept bitterly.

13. Arie (Tenor)
Ach, mein Sinn,
wo willt du endlich hin,
wo soll ich mich erquicken?
Bleib ich hier,
oder wünsch ich mir
Berg und Hügel auf den Rücken?
Bei der Welt ist gar kein Rat,
und im Herzen
stehn die Schmerzen
meiner Missetat,
weil der Knecht
den Herrn verleugnet hat.

13. Aria (Tenor)
O, my senses,
where will you end?
Where shall I refresh myself?
Shall I stay here,
or would I prefer
the hills and mountains behind me?
In the world there is no counsel,
and in my heart
there are the pains
of my misdoing,
for the servant
has renounced his Lord.

14. Choral
Petrus, der nicht denkt zurück,
seinen Gott verneinet,
der doch auf ein’ ernsten Blick
bitterlichen weinet.
Jesu, blicke mich auch an,
wenn ich nicht will büßen;
wenn ich Böses hab getan,
rühre mein Gewissen!

14. Chorale
Peter, who does not reflect,
denies his God,
and yet at that earnest look
weeps bitter tears.
Jesu, look upon me,
too, when I will not repent;
when I have done ill,
stir my conscience.

INTERMISSION

Zweiter Teil

15. Choral
Christus, der uns selig macht,
kein Bös’ hat begangen,
der ward für uns in der Nacht
als ein Dieb gefangen,
geführt für gottlose Leut
und fälschlich verklaget,
verlacht, verhöhnt, und verspeit,
wie denn die Schrift saget.

Part Two

15. Chorale
Christ, who brings us salvation,
who has done no wrong,
for our sakes was taken
like a thief in the night,
was brought before godless men
and wrongly accused,
derided, mocked and spat upon:
so says the Scripture.

16. Rezitativ
Evangelist
Da führeten sie Jesum von Kaiphas vor das Richthaus, und es war frühe. Und sie gingen nicht in das Richthaus, auf daß sie nicht unrein würden, sondern Ostern essen möchten. Da ging Pilatus zu ihnen heraus und sprach:

Pilatus
Was bringet ihr für Klage wider diesen Menschen?

Evangelist
Sie antworteten und sprachen zu ihm:

Chor
Wäre dieser nicht ein Übeltäter, wir hätten dir ihn nicht überantwortet.

Evangelist
Da sprach Pilatus zu ihnen:

Pilatus
So nehmet ihr ihn hin und richtet ihn nach eurem Gesetze!

Evangelist
Da sprachen die Jüden zu ihm:

Chor
Wir dürfen niemand töten.

Evangelist
Auf daß erfüllet würde das Wort Jesu, welches er sagte, da er deutete, welches Todes er sterben würde. Da ging Pilatus wieder hinein in das Richthaus und rief Jesu und sprach zu ihm.

Pilatus
Bist du der Jüden König?

Evangelist
Jesus antwortete:

Jesus
Redest du das von dir selbst, oder habens dir andere von mir gesagt?

Evangelist
Pilatus antwortete:

Pilatus
Bin ich ein Jüde? Dein Volk und die Hohenpriester haben dich mir überantwortet; was hast du getan?

Evangelist
Jesus antwortete:

Jesus
Mein Reich ist nicht von dieser Welt; wäre mein Reich von dieser Welt, meine Diener würden darob kämpfen, daß ich den Jüden nicht überantwortet würde; aber nun ist mein Reich nicht von dannen.

16. Recitative
Evangelist
Then led they Jesus from Caiaphas unto the hall of judgment: and it was early; and they themselves went not into the judgment hall, lest they should be defiled; but that they might eat the passover. Pilate then went out unto them, and said,

Pilate
What accusation bring ye against this man?

Evangelist
They answered and said unto him,

Chorus
If he were not a malefactor, we would not have delivered him up unto thee.

Evangelist
Then said Pilate unto them,

Pilate
Take ye him, and judge him according to your law.

Evangelist
The Jews therefore said unto him,

Chorus
It is not lawful for us to put any man to death.

Evangelist
That the saying of Jesus might be fulfilled, which he spake, signifying what death he should die. Then Pilate entered into the judgment hall again, and called Jesus, and said unto him,

Pilate
Art thou the King of the Jews?

Evangelist
Jesus answered him,

Jesus
Sayest thou this thing of thyself, or did others tell it thee of me?

Evangelist
Pilate answered,

Pilate
Am I a Jew? Thine own nation and the chief priests have delivered thee unto me: what hast thou done?

Evangelist
Jesus answered,

Jesus
My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence.

17. Choral
Ach großer König,
groß zu allen Zeiten,
Wie kann ich gnugsam
diese Treu ausbreiten?
Keins Menschen Herzer
mag indes ausdenken,
was dir zu schenken.

Ich kann’s mit meinen
Sinnen nicht erreichen,
womit doch dein
Erbarmen zu vergleichen.
Wie kann ich dir denn
deine Liebestaten
im Werk erstatten?

17. Chorale
O great King,
at all time great,
how may I sufficiently
spread this faith abroad?
Yet no human heart
may imagine
what thing to offer thee.

My senses
cannot conceive
with what
to compare thy compassion;
how, then, may I repay
thy deeds of love
with any deeds of mine?

18. Rezitativ
Evangelist
Da sprach Pilatus zu ihm:

Pilatus
So bist du dennoch ein König?

Evangelist
Jesus antwortete:

Jesus
Du sagst’s, ich bin ein König. Ich bin dazu geboren und in die Welt kommen, daß ich die Wahrheit zeugen soll. Wer aus der Wahrheit ist, der höret meine Stimme.

Evangelist
Spricht Pilatus zu ihm:

Pilatus
Was ist Wahrheit?

Evangelist
Und da er das gesaget, ging er wieder hinaus zu den Jüden und spricht zu ihnen:

Pilatus
Ich finde keine Schuld an ihm. Ihr habt aber eine Gewohnheit, daß ich euch einen losgebe; wollt ihr nun, daß ich euch der Jüden König losgebe?

Evangelist
Da schrieen sie wieder allesamt und sprachen:

Chor
Nicht diesen, diesen nicht, sondern Barrabam!

Evangelist
Barrabas aber war ein Mörder. Da nahm Pilatus Jesus und geißelte ihn.

18. Recitative
Evangelist
Pilate therefore said unto him,

Pilate
Art thou a king then?

Evangelist
Jesus answered,

Jesus
Thou sayest that I am a king. To this end was I born, and for this cause came I into the world, that I should bear witness unto the truth. Every one that is of the truth heareth my voice.

Evangelist
Pilate saith unto him,

Pilate
What is truth?

Evangelist
And when he had said this, he went out again unto the Jews, and saith unto them,

Pilate
I find in him no fault at all. But ye have a custom, that I should release unto you one at the passover: will ye therefore that I release unto you the King of the Jews?

Evangelist
Then cried they all again, saying,

Chorus
Not this man, but Barabbas.

Evangelist
Now Barabbas was a robber. Then Pilate therefore took Jesus, and scourged him.

19. Arioso (Bas)
Betrachte, meine Seel,
mit ängstlichem Vergnügen,
mit bittrer Lust
und halb beklemmtem Herzen
dein höchstes Gut
in Jesu Schmerzen,
wie dir auf Dornen,
so ihn stechen,
die Himmelsschlüsselblumen blühn!
Du kannst viel süße Frucht
von seiner Wermut brechen,
drum sieh ohn Unterlass auf ihn!

19. Arioso (Bass)
Contemplate, my soul,
with fearful pleasure,
with bitter joy
and half-oppressed heart,
in Jesu’s agony
see thy highest good.
See how, from the thorns
that pierce him,
the flowers of heaven open to you.
You may gather a sweet harvest
from his suffering:
look upon him, therefore, without cease.

20. Aria (Tenor)
Erwäge, wie sein blutgefärbter Rücken
in allen Stücken
dem Himmel gleiche geht,
daran, nachdem die Wasserwogen
von unsrer Sündflut sich erzogen,
der allerschönsten Regenbogen
als Gottes Gnadenzeichen steht!

20. Aria (Tenor)
Imagine, that his blood-bespattered body
in every member
is a part of Heaven above.
There, after the surging waters
of our flooding sins disperse,
the fairest rainbow stands,
God’s token of his grace and love.

21. Rezitativ
Evangelist
Und die Kriegsknechte flochten eine Kronen von Dornen und satzten sie auf sein Haupt und legten ihm ein Purpurkleid an und sprachen:

Chor
Sei gegrüßet, lieber Jüdenkönig!

Evangelist
Und gaben ihm Backenstreiche. Da ging Pilatus wieder heraus und sprach zu ihnen:

Pilatus
Sehet, ich führe ihn heraus zu euch, daß ihr erkennet, daß ich keine Schuld an ihm finde.

Evangelist
Also ging Jesus heraus und trug eine Dornenkrone und Purpurkleid. Und er sprach zu ihnen:

Pilatus
Sehet, welch ein Mensch!

Evangelist
Da ihn die Hohenpriester und die Diener sahen, schrieen sie und sprachen:

Chor
Kreuzige, kreuzige!

Evangelist
Pilatus sprach zu ihnen:

Pilatus
Nehmet ihr ihn hin und kreuziget ihn; denn ich finde keine Schuld an ihm!

Evangelist
Die Jüden antworteten ihm:

Chor
Wir haben ein Gesetz, und nach dem Gesetz soll er sterben; denn er hat sich selbst zu Gottes Sohn gemacht.

Evangelist
Da Pilatus das Wort hörete, fürchtet’ er sich noch mehr und ging wieder hinein in das Richthaus und spricht zu Jesu:

Pilatus
Von wannen bist du?

Evangelist
Aber Jesus gab ihm keine Antwort. Da sprach Pilatus zu ihm:

Pilatus
Redest du nicht mit mir? Weißest du nicht, daß ich Macht habe, dich zu kreuzigen, und Macht habe, dich loszugeben?

Evangelist
Jesus antwortete:

Jesus
Du hättest keine Macht über mich, wenn sie dir nicht wäre von oben herab gegeben; darum, der mich dir überantwortet hat, der hat’s größ’re Sünde.

Evangelist
Von dem an trachtete Pilatus, wie er ihn losließe.

21. Recitative
Evangelist
And the soldiers plaited a crown of thorns, and put it on his head, and they put on him a purple robe, and said,

Chorus
Hail, King of the Jews!

Evangelist
And they smote him with their hands. Pilate therefore went forth again, and saith unto them,

Pilate
Behold, I bring him forth to you, that ye may know that I find no fault in him.

Evangelist
Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them,

Pilate
Behold the man!

Evangelist
When the chief priests therefore and officers saw him, they cried out, saying,

Chorus
Crucify him, crucify him.

Evangelist
Pilate saith unto them,

Pilate
Take ye him, and crucify him: for I find no fault in him.

Evangelist
The Jews answered him,

Chorus
We have a law, and by our law he ought to die, because he made himself the Son of God.

Evangelist
When Pilate therefore heard that saying, he was the more afraid; and went again into the judgment hall, and saith unto Jesus,

Pilate
Whence are thou?

Evangelist
But Jesus gave him no answer. Then saith Pilate unto him,

Pilate
Speakest thou not unto me? Knowest thou not that I have power to crucify thee, and have power to release thee?

Evangelist
Jesus answered,

Jesus
Thou couldest have no power at all against me, except it were given thee from above: therefore he that delivered me unto thee hath the greater sin.

Evangelist
And from thenceforth Pilate sought to release him.

22. Choral
Durch dein Gefängnis, Gottes Sohn,
muss uns die Freiheit kommen;
dein Kerker ist der Gnadenthron,
die Freistatt aller Frommen;
denn gingst du nicht die Knechtschaft ein,
müßt unsre Knechtschaft ewig sein.

22. Chorale
By way of thy prison, Son of God,
freedom must come to us;
thy prison is the throne of grace,
the refuge of all godly folk;
for if thou hadst not suffered imprisonment,
our slavery would be everlasting.

23. Rezitativ
Evangelist
Die Jüden aber schrieen und sprachen:

Chor
Lässest du diesen los, so bist du des Kaisers Freund nicht; denn wer sich zu Könige machet, der ist wider den Kaiser.

Evangelist
Da Pilatus das Wort hörete, führete er Jesum heraus und satzte sich auf den Richtstuhl, an der Stätte, die da heißet: Hochpflaster, auf Ebräisch aber: Gabbatha. Es war aber der Rüsttag in Ostern um die sechste Stunde, und er spricht zu den Jüden:

Pilatus
Sehet, das ist euer König!

Evangelist
Sie schrieen aber:

Chor
Weg, weg mit dem, kreuzige ihn!

Evangelist
Spricht Pilatus zu ihnen:

Pilatus
Soll ich euren König kreuzigen?

Evangelist
Die Hohenpriester antworteten:

Chor
Wir haben keinen König denn den Kaiser.

Evangelist
Da überantwortete er ihn, daß er gekreuziget würde. Sie nahmen aber Jesum und führeten ihn hin. Und er trug sein Kreuz und ging hinaus zur Stätte, die da heißet Schädelstätt, welche heißet auf Ebräisch: Golgatha.

23. Recitative
Evangelist
But the Jews cried out, saying,

Chorus
If thou let this man go, thou art not Caesar’s friend: whosoever maketh himself a king speaketh against Caesar.

Evangelist When Pilate therefore heard that saying, he brought Jesus forth, and sat down in the judgment seat in a place that is called the Pavement, but in the Hebrew, Gabbatha. And it was the preparation of the passover, and about the sixth hour: and he saith unto the Jews,

Pilate
Behold your King!

Evangelist
But they cried out,

Chorus
Away with him, away with him, crucify him.

Evangelist
Pilate saith unto them,

Pilate
Shall I crucify your King?

Evangelist
The chief priests answered,

Chorus
We have no king but Caesar.

Evangelist
Then delivered he him therefore unto them to be crucified. And they took Jesus, and led him away. And he bearing his cross went forth into a place called the place of a skull, which is called in the Hebrew Golgotha.

24. Arie (Bass, Chor)
Eilt, ihr angefochtnen Seelen,
geht aus euren Marterhöhlen, eilt
Wohin?
– nach Golgatha!
Nehmet an des Glaubens Flügel, flieht
– Wohin?
– zum Kreuzeshügel,
eure Wohlfahrt blüht allda!

24. Aria (Bass, Choir)
Hasten, you troubled souls,
leave your dens of martyrdom, hurry
where?
– to Golgotha!
Take to wings of faith, fly
where?
– to the hill of the cross,
your welfare flourishes there.

25. Rezitativ
Evangelist
Allda kreuzigten sie ihn, und mit ihm zween andere zu beiden Seiten, Jesum aber mitten inne. Pilatus aber schrieb eine Überschrift und satzte sie auf das Kreuz, und war geschrieben: ‘Jesus von Nazareth, der Jüden König’. Diese Überschrift lasen viel Jüden, denn die Stätte war nahe bei der Stadt, da Jesus gekreuziget is. Und es war geschrieben auf ebräische, griechische und lateinische Sprache. Da sprachen die Hohenpriester der Jüden zu Pilato:

Chor
Schreibe nicht: der Jüden König, sondern daß er gesaget habe: Ich bin der Jüden König.

Evangelist
Pilatus antwortet:

Pilatus
Was ich geschrieben habe, das habe ich geschrieben.

25. Recitative
Evangelist
Where they crucified him, and two others with him, on either side one, and Jesus in the midst. And Pilate wrote a title, and put it in the cross. And the writing was, ‘Jesus of Nazareth, the King of the Jews’. This title then read many of the Jews: for the place where Jesus was crucified was nigh to the city: and it was written in Hebrew, and Greek, and Latin. Then said the chief priests of the Jews to Pilate,

Chorus
Write not, The King of the Jews; but that he said,
I am King of the Jews.

Evangelist
Pilate answered,

Pilate
What I have written I have written.

26. Choral
In meines Herzens Grunde
dein Nam und Kreuz allein
funkelt all Zeit und Stunde,
drauf kann ich fröhlich sein.
Erschein mir in dem Bilde
zu Trost in meiner Not,
wie du, Herr Christ, so milde
Dich hast geblut’ zu Tod!

26. Chorale
Deep in my heart
thy name and cross alone
shine all the time and every hour,
for that I may rejoice.
Appear to me in that likeness
as comfort to my need,
how thou, Lord Christ, so generously
hast bled thyself to death.

27. Rezitativ
Evangelist
Die Kriegsknechte aber, da sie Jesum gekreuziget hatten, nahmen seine Kleider und machten vier Teile, einem jeglichen Kriegesknechte sein Teil, dazu auch den Rock. Der Rock aber war ungenähet, von oben an gewürket durch und durch. Da sprachen sie untereinander:

Chor
Lasset uns den nicht zerteilen, sondern darum losen, wes er sein soll.

Evangelist
Auf daß erfüllet würde die Schrift, die da saget: ‘Sie haben meien Kleider unter sich geteilet und haben über meinen Rock das Los geworfen’. Solches taten die Kriegesknechte. Es stund aber bei dem Kreuze Jesu seine Mutter und seiner Mutter Schwester, Maria, Kleophas Weib, und Maria Magdalena. Da nun Jesu seine Mutter sahe und den Jünger dabei stehen, den er lieb hatte, spricht er zu seiner Mutter:

Jesus
Weib, siehe, das ist dein Sohn!

Evangelist
Darnach spricht er zu dem Jünger:

Jesus
Siehe, das ist deine Mutter!

27. Recitative
Evangelist
Then the soldiers, when they had crucified Jesus, took his garments, and made four parts, to every soldier a part; and also his coat. Now the coat was without seam, woven from the top throughout. They said therefore among themselves,

Chorus
Let us not rend it, but cast lots for it, whose it shall be.

Evangelist That the scripture might be fulfilled, which saith, They parted my raiment among them, and for my vesture they did cast lots. These things therefore the soldiers did.
Now there stood by the cross of Jesus his mother, and his mother’s sister, Mary the wife of Cleophas, and Mary Magdalene. When Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother,

Jesus
Woman, behold thy son!

Evangelist
Then saith he to the disciple,

Jesus
Behold thy mother!

 

28. Choral
Er nahm alles wohl in acht
in der letzten Stunde,
seine Mutter noch bedacht,
setzt ihr ein’ Vormunde.
O Mensch, mache Richtigkeit,
Gott und Menschen liebe,
stirb darauf ohn alles Leid,
und dich nicht betrübe!

28. Chorale
He had a care for everything,
in his last hour,
he took thought for his mother still,
and assigned to her a guardian.
Oh, mankind, exercise righteousness,
love both God and man,
then die free from pain,
and do not grieve!

29. Rezitativ
Evangelist
Und von Stund an nahm sie der Jünger zu sich. Darnach, als Jesus wußte, daß schon alles vollbracht war, daß die Schrift erfüllet würde, spricht er:

Jesus
Mich dürstet!

Evangelist
Da stund ein Gefäße voll Essigs. Sie fülleten aber einen Schwamm mit Essig und legten ihn um einen Isopen, und hielten es ihm dar zum Munde. Da nun Jesus den Essig genommen hatte, sprach er:

Jesus
Es ist vollbracht!

29. Recitative
Evangelist
And from that hour that disciple took her unto his own home. After this, Jesus knowing that all things were now accomplished, that the scripture might be fulfilled, saith,

Jesus
I thirst.

Evangelist
Now there was set a vessel full of vinegar: and they filled a sponge with vinegar, and put it upon hyssop, and put it to his mouth. When Jesus therefore had received the vinegar, he said,

Jesus
It is finished.

30. Arie (Alt)
Es ist vollbracht!
O Trost vor die gekränkten Seelen!
Die Trauernacht
läßt nun die letzte Stunde zählen.
Der Held aus Juda siegt mit Machtund schließt den Kampf.
Es ist vollbracht!

30. Aria (Alto)
It is finished!
Oh, consolation for all hurt souls;
that night of mourning
approaches its final hour.
The hero from Judah has triumphed in
strength and ends the struggle.
It is finished!

31. Rezitativ
Evangelist
Und neiget das Haupt und verschied.

31. Recitative
Evangelist
And he bowed his head, and gave up the ghost.

32. Arie (Bass) und Choral
Mein teurer Heiland, laß dich fragen,
Jesu, der du warest tot,
da du nunmehr ans Kreuz geschlagen
und selbst gesagt:
Es ist vollbracht,
lebest nun ohn Ende,
bin ich vom Sterben frei gemacht?
in der letzten Todesnot
nirgend mich hinwende
Kann ich durch deine Pein und Sterben
das Himmelreich ererben?
Ist aller Welt Erlösung da?
als zu dir, der mich versühnt,
o du lieber Herre!
Du kannst vor Schmerzen
zwar nichts sagen;
Gib mir nur, was du verdient,
doch neigest du das Haupt
und sprichst stillschweigend: ja.
mehr ich nicht begehre!

32. Arie (Bass) and Chorale
My dear Saviour, let me ask thee,
Jesu, thou who wert dead,
since thou now art nailed to the cross
and since thou sayest thyself:
It is finished!
now livest for ever;
Am I now set free from death?
in my last agony
nowhere will I turn but to thee
May I, through thy suffering and death,
inherit heaven?
Has salvation come for all the world?
who hast redeemed me.
O my beloved Lord!
True, thou canst not speak
for pain,
Give me only that which thou hast won,
yet thy head thou bowest
and tacitly thou sayest: Yes.
I desire nothing more.

33. Rezitativ
Evangelist
Und siehe da der Vorhang im Tempel zerriß in zwei Stück von oben an bis unten aus. Und die Erde erbebete, und die Felsen zerrissen, und die Gräber täten sich auf, und stunden auf viele Leiber der Heiligen.

33. Recitative
Evangelist
And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; and the graves were opened; and many bodies of the saints which slept arose.

34. Arioso (Tenor)
Mein Herz, in dem die ganze Welt
bei Jesu Leiden gleichfalls leidet,
die Sonne sich in Trauer kleidet,
der Vorhang reißt, der Fels zerfällt,
die Erde bebt, die Gräber spalten,
weil sie den Schöpfer sehn erkalten,
was willst du deines Ortes tun?

34. Arioso (Tenor)
My heart, wherein the whole world
suffers likewise with Jesu’s sorrow,
the sun is wrapped in mourning.
the curtain is torn asunder, the rock crumbles,
the earth trembles, the tombs burst open,
because they behold the Creator grow cold:
what wilt thou do for thy part?

35. Arie (Sopran)
Zerfließe, mein Herze,
in Fluten der Zähren
dem Höchsten zu Ehren!
Erzähle der Welt
und dem Himmel die Not:
dein Jesus ist tot!

35. Aria (Soprano)
Melt, my heart,
in floods of tears
in honour of the Lord most high.
Tell the misery
to the world and to the heavens,
thy Jesus is dead!

36. Rezitativ
Evangelist
Die Jüden aber, dieweil es der Rüsttag war, daß nicht die Leichname am Kreuze blieben den Sabbat über (denn desselbigen Sabbats Tag war sehr groß), baten sie Pilatum, daß ihre Beine gebrochen und sie abgenommen würden. Da kamen die Kriegsknechte und brachten dem ersten die Beine und dem andern, der mit ihm gekreuziget war. Als sie aber zu Jesu kamen, da sie sahen, daß er schon gestorben war, brachen sie ihm die Beine nicht; sondern der Kriegsknechte einer eröffnete seine Seite mit einem Speer, uns alsobald ging Blut und Wasser heraus. Und der das gesehen hat, der hat es bezeuget, und sein Zeugnis ist wahr, und derselbige weiß, daß er die Wahrheit saget, auf dass ihr gläubet. Denn solches ist geschehen, auf daß die Schrift erfüllet würde: ‘Ihr sollet ihm kein Bein zerbrechen’. Und abermal spricht eine andere Schrift: ‘Sie werden sehen, in welchen sie gestochen haben’.

36. Recitative
Evangelist
The Jews therefore, because it was the preparation, that the bodies should not remain upon the cross on the sabbath day (for that sabbath day was an high day), besought Pilate that their legs might be broken, and that they might be taken away. Then came the soldiers, and brake the legs of the first, and of the other which was crucified with him. But when they came to Jesus, and saw that he was dead already, they brake not his legs: but one of the soldiers with a spear pierced his side, and forthwith came there out blood and water. And he that saw it bare record, and his record is true: and he knoweth that he saith true, that ye might believe. For these things were done, that the scripture should be fulfilled, A bone of him shall not be broken. And again another scripture saith, They shall look on him whom they pierced.

37. Choral
O hilf, Christe, Gottes Sohn,
durch dein bitter Leiden,
daß wir dir stets untertan
all unzugend meiden,
deinen Tod und sein Ursach
fruchtbarlich bedenken,
dafür, wiewohl arm und schwach,
dir Dankopfer schenken!

37. Chorale
O help us, Jesus Christ, Son of God,
through thy bitter suffering,
to be always obedient to thee,
eschewing all sin:
to contemplate fruitfully
thy death and its cause:
for which, though poor and weak,
we will offer up our thanks.

38. Rezitativ
Evangelist
Darnach bat Pilatum Joseph von Arimathia, der ein Jünger Jesu War (doch heimlich aus Furcht vor der Jüden), daß er möchte abnehmen den Leichnam Jesu. Und Pilatus erlaubete es. Derowegen kam er und nahm den Leichnam Jesu herab. Es kam aber auch Nikodemus, der vormals bei der Nacht zu Jesu kommen war, und brachte Myrrhen und Aloen untereinander, bei hundert Pfunden. Da nahmen sie den Leichnam Jesu und bunden ihn in leinen Tücher mit Spezereien, wie die Jüden pflegen zu begraben. Es war aber an der Stätte, da er gekreuziget ward, ein Garte, und im Garten ein neu Grab, in welches niemand je gelegt war. Daselbst hin legten sie Jesum, um des Rüsttags willen der Jüden, dieweil das Grab nahe war.

38. Recitative
Evangelist
And after this Joseph of Arimathaea, being a disciple of Jesus, but secretly for fear of the Jews, besought Pilate that he might take away the body of Jesus: and Pilate gave him leave. He came therefore, and took the body of Jesus. And there came also Nicodemus, which at the first came to Jesus by night, and brought a mixture of myrrh and aloes, about an hundred pound weight. Then took they the body of Jesus, and wound it in linen clothes with the spices, as the manner of the Jews is to bury. Now in the place where he was crucified there was a garden; and in the garden a new sepulchre, wherein was never man yet laid. There laid they Jesus therefore because of the Jews’ preparation day; for the sepulchre was nigh at hand. 

39. Chor
Ruht wohl, ihr heiligen Gebeine,
die ich nun weiter nicht beweine,
ruht wohl
und bringt auch mich zur Ruh!

Das Grab, so euch bestimmet ist
und ferner keine Not umschließt,
macht mir den Himmel auf
und schließt die Hölle zu.

39. Chorus
Rest in peace, you holy bones,
which I will now no longer mourn;
rest in peace,
and take me, too, to rest.

The grave, that is destined for you
and contains no more grief,
opens up the heavens to me
and closes hell.

40. Choral
Ach Herr, laß dein lieb Engelein
am letzten End die Seele mein
in Abrahams Schoß tragen,
den Leib in seim Schlafkämmerlein
gar sanft ohn einge Qual und Pein
ruhn bis am jüngsten Tage!
Alsdenn vom Tod erwecke mich,
daß meine Augen sehen dich
in aller Freud, o Gottes Sohn,
mein Heiland und Genadenthron!
Herr Jesu Christ, erhöre mich,
ich will dich preisen ewiglich!

40. Chorale
O Lord, let thy dear angels
carry my soul when my end comes
to Abraham’s bosom;
let my body in its resting chamber
gently repose, without pain or grief,
till Judgment Day!
Then awaken me from death,
that my eyes may behold thee
in all joy, O Son of God,
my Saviour and my Throne of Grace!
Lord Jesus Christ, hear my prayer,
I will ever praise thee!

Leslie Dala, conductor

Conductor and pianist, Leslie Dala enjoys a multifaceted career spanning the genres of opera, symphonic music, choral and contemporary works. On the podium, he is known for his passionate, dynamic, and charismatic approach to music making. Named one of the top ten artistic leaders by the Vancouver Sun, Dala is well known nationally with guest conducting appearances with orchestras and opera companies across the country. Internationally, he has performed in France, Germany, Switzerland, Italy, Ireland, the Czech Republic, China, Taiwan and the US including recently at Carnegie Hall. Currently, he is a member of the music staff at the Santa Fe Opera.

Leslie presently holds the positions of Music Director of the Vancouver Bach Choir, the Associate Conductor and Chorus Director of Vancouver Opera, and the Music Director Emeritus of the Vancouver Academy of Music Symphony Orchestra. Recently he conducted Vancouver Opera’s production of Wagner’s The Flying Dutchman, the Canadian premiere of George Benjamin’s Into the Little Hill produced by Astrolabe Musik Theatre, and the world premiere of Frank Horvat’s Memories of Self Isolation with the Vancouver Bach Choir.

Career highlights include conducting the Canadian premiere of John Adams’ Oratorio El Nino, the Canadian premiere of Steve Reich’s You are Variations and Daniel Variations, the world premieres of Brian Current’s River of Light, James Rolfe’s and Morris Panych’s opera The Overcoat, and Neil Weisensel and Shane Koyczan’s opera Stickboy. As a conductor he has collaborated with such notable artists as Gregory Kunde, Richard Margison, Measha Brueggergosman, Adrianne Pieczonka and Etienne Dupuis. Other highlights include concerts with Sarah McLachlan and the Vancouver Symphony Orchestra in addition to leading the Toronto Symphony Orchestra with guest artists the Indigo Girls.

As a pianist, Leslie regularly appears in recital and has partnered with singers, including Russel Braun, Krisztina Szabo, Benjamin Butterfield, Rachel Fenlon, and Asitha Tennekoon. In 2021, Leslie recorded the complete Etudes of Philip Glass which is available on the Redshift label and on all of the major streaming platforms. It was named by CBC Radio as one of the top 21 Classical recordings of 2021. His 2022 recording of Nikolai Korndorf’s The Smile of Maud Lewis also made the CBC list for top 22 Classical recordings in addition to being named one of the Critic’s Choice Favourite Album’s of 2022 by Gramophone Magazine.

Angela Gjurichanin, soprano

Angela Gjurichanin is a Macedonian/Canadian soprano based in London, Ontario. In the 2021-2022 season, she was a District Winner for the Metropolitan Laffont Competition and winner of the Gordon Wallis Opera Competition. Recently, she had the privilege to be featured as the soprano soloist for Messiah with Regina Symphony Orchestra in December 2022. Gjurichanin has performed the roles of Nella from Gianni Schicchi and Adina from L’elisir d’amore with the Opera Workshop at Western University. She has performed the partial roles of the First Lady in Die Zauberflöte, Adele from Die Fledermaus, and Susanna in Le Nozze di Figaro. Angela recently graduated from the University of Western Ontario with a Masters of Music in Performance and Literature (MMus. 22) and holds a Bachelor of Music Honours (BMus. 20) from the University of Saskatchewan. Ms. Gjurichanin joined the Jeunes Ambassadeurs Lyriques Showcase as a young artist in October 2022. Upcoming engagements include her role debuts as Zerlina in Don Giovanni at Lyric Opera Studio of Weimar and Cercatrice I in Suor Angelica with Grand River Opera.

Emma Parkinson, mezzo-soprano

Chinese-Canadian mezzo-soprano Emma Parkinson has performed across Canada and internationally, she has been hailed as “an outstanding
voice” (La Scena Musicale). Most recently, she performed the role of Third Lady in The Magic Flute with Vancouver Opera. She has also performed roles with Pacific Opera Victoria, Opéra de Montreal, City Opera Vancouver, Burnaby Lyric Opera, Seefestspiele Berlin, re:Naissance Opera, and Astrolabe Musik Theatre among others. On the concert stage, she has been a soloist with the Victoria Baroque, Vancouver Island Symphony, Alberta Baroque Ensemble, Vancouver Bach Choir, Kingston Symphony Orchestra, Slovak State Philharmonic Orchestra, Montreal Symphony Orchestra, Vancouver Symphony Orchestra and Orchestre Métropolitain. Emma performed with Early Music Vancouver in their summer festival, and in the spring of 2024 she will make her debut in France with Opéra de Massy in La Traviata.

@emmacparkinson
www.emmaparkinson.com

Asitha Tennekoon, tenor

2017 DORA AWARD – OUTSTANDING PERFORMANCE, MALE, OPERA DIVISION – ROCKING HORSE WINNER
(TAPESTRY/SCOTTISH OPERA)

Praised by The Globe and Mail for “…his silky, emotional presence on stage – both vocally and dramatically…”, Sri Lankan tenor Asitha Tennekoon has established himself as one of Canada’s most versatile singing artists. In 2016 he drew critical acclaim and received a Dora Award for his portrayal of Paul in Tapestry Opera/Scottish Opera’s Rocking Horse Winner. Asitha is sought after for performances spanning from Baroque to experimental repertoire.

This season, Asitha reprises his performance as Paul in Tapestry Opera’s remount of Rocking Horse Winner and sings the role of Boy Angel in Du Yun and Royce Vavrek’s Pulitzer Prize­winning Angel’s Bone, presented by Loose Tea Music Theatre in Toronto. In 2024, Asitha debuts the roles of Prologue/Peter Quint in Britten’s Turn of the Screw with Opera 5.

Asitha continues to expand his reputation as an impressive interpreter of J.S. Bach’s Evangelist and will be featured this season with the Grand Philharmonic Choir in Bach’s Christmas Oratorio and the St. John Passion with Vancouver Bach Choir. Asitha will debut in Halifax with Cecilia Concerts, performing the music of Métis composer Ian Cusson.

Asitha recently made several operatic debuts; as Ferrando in Edmonton Opera’s Cosi fan tutte, the First Priest with Canadian Opera Company’s The Magic Flute, Remendado with Pacific Opera Victoria, and as Flute in Britten’s A Midsummer Night’s Dream with Vancouver Opera, Jacques Lacombe conducting.

Asitha has sung principal roles with Opéra de Montréal, Against the Grain Theatre, Tapestry Opera, Soundstreams Canada, Opera on the Avalon, Opera 5, and Opera Lafayette.

Asitha is a Co­Founder of Amplified Opera, a Toronto based indie Opera company committed to placing artists at the centre of public discourse. He makes his home in the unceded traditional territories of the xwməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (TsleilWaututh) Nations (Vancouver, BC).

Spencer McKnight, tenor

Tenor Spencer McKnight has been described as “one of the finest tenor voices” in Canada.

McKnight began singing at the age of 17. He was encouraged to pursue music by an adjudicator who heard him sing at his local music festival. His passion for music finds him frequently immersed in the music of Handel, Rossini, and Britten.

Spencer has garnered much attention both in concert and in competition over the course of the last six years, including multiple awards at a national level, and the 2018 winner of the Gordon C. Wallis Opera Competition.  Though early in his career, Spencer has had the opportunity to sing a wealth of oratorio repertoire and had recent engagements with the Regina and Saskatoon Symphony Orchestras.

He recently toured with a recital program entitled Songs of the Great War.  An artistic project many years in the making, the recital featured songs, both popular and art, from the World War One era, including the Canadian premieres of two songs by composer William Dennis Browne.

Spencer had the pleasure of making his international opera debut in Vicenza, Italy in 2019 as Don Ottavio in Mozart’s Don Giovanni. He was reviewed as having a “clear timbre” by the Giornale di Vicenza.

McKnight will tour a new recital programme called “Within a Dream” in 2024 with longtime collaborator Mark Turner.

Spencer studied with teacher and mentor Lisa Hornung for many years, and now he studies with Toronto-based vocal pedagogue Mark Daboll.

His voice is described as fresh and brassy with stratospheric high notes.

Raphaël Laden-Guindon, bass

Praised for his “authoritative voice” (Boston Musical Intelligencer) and “contagious sensibility” (Revue l’Opéra), Canadian-American Baritone, Raphaël Laden-Guindon maintains an active performing schedule in the US and Canada. In the 2023-24 season, he will appear as a guest artist in productions of Matthew Peterson’s Voir Dire as The Baritone and Britten’s Midsummer Night’s Dream as Quince with the Boston Conservatory. He was heard as Harapha in Handel’s Samson with the Cambridge Chamber Ensemble. His 2022-23 season featured a role debut and as the title role in Le nozze di Figaro with NEMPAC Opera and the Boston Festival Orchestra and the world premiere of Keiko Devaux’s chamber opera: L’écoute du Perdu with Musique 3 Femmes and Ensemble Paramaribo. Other credits include The Accomplice in Whispers: Echoes from the Halls and Belcore (Cover) in L’Elisir d’amore with Boston Opera Collaborative, the title role in Don Giovanni, Ophémon in L’amant anonyme (Chevalier de St-Georges), Bob in The Old Maid and the Thief (Menotti), Mr. Olsen in Street Scene (Weil), and Publio (cover) in La Clemenza di Tito (Mozart) with Opera McGill; Aristeo in Orfeo (Rossi), Corebo in La Didone (Cavalli) and Aristone in Xerse (Cavalli) with the Yale Baroque Opera Project. Raphaël holds a master’s degree from McGill University during which he was a recipient of both SSHRC and FRQSC master’s research grants. He is a staff singer at Trinity Church in the city of Boston. 

Ode to Joy Text & Translation

Ode an die Freude, from Symphony No. 9
Text by Friedrich Schiller (1759–1805)

 

O Freunde, nicht diese Töne!
Sondern laßt uns angenehmere
anstimmen und freudenvollere!

Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum!
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.

Wem der große Wurf gelungen,
Eines Freundes Freund zu sein,
Wer ein holdes Weib errungen,
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer’s nie gekonnt, der stehle
Weinend sich aus diesem Bund.

Freude trinken alle Wesen
An den Brüsten der Natur;
Alle Guten, alle Bösen
Folgen ihrer Rosenspur.
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod;
Wollust ward dem Wurm gegeben,
Und der Cherub steht vor Gott!

Froh, wie seine Sonnen fliegen
Durch des Himmels prächt’gen Plan,

Laufet, Brüder, eure Bahn, Freudig,
wie ein Held zum Siegen.

Seid umschlungen, Millionen.
Diesen Kuß der ganzen Welt!
Brüder! Über’m Sternenzelt
Muß ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
Ahnest du den Schöpfer, Welt?
Such’ ihn über’m Sternenzelt!
Über Sternen muß er wohnen.

Ode to Joy
English translation

 

Oh friends, no more of these sounds!
Let us sing more cheerful songs,
More full of joy!

Joy, bright spark of divinity,
Daughter of Elysium,
Fire-inspired we tread
Thy sanctuary!
Thy magic power reunites
All that custom has divided;
All men become brothers
Under the sway of thy gentle wings.

Whoever has created
An abiding friendship,
Or has won
A true and loving wife,
All who can call at least one soul theirs,
Join in our song of praise!
But any who cannot must creep tearfully
Away from our circle.

All creatures drink of joy
At nature’s breast.
Just and unjust
Alike taste of her gift;
She gave us kisses and the fruit of the vine,
A tried friend to the end.
Even the worm can feel contentment,
And the cherub stands before God!

Gladly, like the heavenly bodies
Which He set on their courses through the
splendor of the firmament;
Thus, brothers, you should run your race,
As a hero going to conquest.

You millions, I embrace you.
This kiss is for all the world!
Brothers, above the starry canopy
There must dwell a loving Father.
Do you fall in worship, you millions?
World, do you know your Creator?
Seek Him in the heavens!
Above the stars must He dwell.