Shawn Mativetsky, Tabla

Shawn Mativetsky, Tabla

Dynamic performer Shawn Mativetsky is considered one of Canada’s leading ambassadors of the tabla, and is a pioneer in bridging the worlds of Western and Indian classical music. Acclaimed as an exceptional soloist and a leading disciple of the renowned Pandit Sharda Sahai, Shawn Mativetsky is highly sought-after as both performer and educator, and is active in the promotion of the tabla and North Indian classical music through lectures, workshops, and performances across Canada and internationally. Based in Montreal, Shawn teaches tabla and percussion at McGill University. His most recent solo tabla album, Rivers, is rooted in the rich traditions of the Benares style of tabla playing. Shawn’s new book, RUDIMENTAAL, features compositions for snare drum, inspired by the tabla drumming of North India.

As a practitioner of Indian classical music, Shawn regularly gives solo tabla performances, as well as accompanying kathak dance and instrumental artists. Since 2003, Shawn has been affiliated with the Pandit Ram Sahai Foundation (UK/India), and in the summers of 2006 and 2008, hosted tabla maestro Pandit Sharda Sahai’s annual summer tabla workshop. Since 2011, Shawn has been hosting his own annual summer tabla workshop at McGill University. In recent years, he has been working closely with santoor player Jonathan Voyer, sitarist Uwe Neumann, and kathak dancer Sudeshna Maulik.

Shawn has performed numerous recitals around the world, and has been featured in the International Pharos Contemporary Music Festival (Cyprus), Clazz International Music Festival (Italy), Pontio / Music @ Bangor, Vale of Glamorgan Festival (Wales), Shastra Festival, the Percussive Arts Society International Convention (USA), Sound Symposium, Windsor Canadian Music Festival, New Music in New Spaces, Groundswell, Western Front, Open Space, VICO’s Global Soundscapes Festival, Festival Montréal Baroque, Jusqu’aux Oreilles, Evolutions, Voyages: Montréal-New York, Festival International du Domaine Forget, New Works Calgary, and Music Toronto (Canada). As an ensemble musician, Shawn Mativetsky performs with trio Mativetsky, Amiri & Pagé, violinist Parmela Attariwala’s cross-cultural Attar Project, Indo-fusion group Ragleela, very long cat, a tabla / electronic music duo with live coder David Ogborn, the improv trio Of Sound, Mind and Body, with Tim Brady and Helmut Lipsky, and percussion group Ensemble Duniya. A versatile studio musician, Shawn has appeared on albums by Elsiane, Joel Miller, Yann Perreau, Elephant Stone, Suzie Leblanc, Ramachandra Borcar, and Daniel Lavoie. Regular performances with Galitcha have led to concerts across Canada and the US, as well as tours to France and Tunisia, the chance to play with guest musicians such as Pt. Vishwa Mohan Bhatt, Salil Bhatt, Harry Manx, and Yves Lambert, as well as a performance for the Duke and Duchess of Cambridge, during their visit to Canada.

https://www.shawnmativetsky.com

Tabla Concerto

A note from composer Dinuk Wijeratne about his Tabla Concerto:

1. Canons, Circles
2. Folk song: ‘White in the moon the long road lies
(that leads me from my love)’
3. Garland of Gems

While the origins of the Tabla are somewhat obscure, it is evident that this ‘king’ of Indian percussion instruments has achieved global popularity for the richness of its timbre, and for the virtuosity of a rhythmically complex repertoire that cannot be separated from the instrument itself. In writing a large-scale work for Tabla and Symphony Orchestra, it is my hope to allow each entity to preserve its own aesthetic. Perhaps, at the same time, the stage will be set for some new discoveries.

While steeped in tradition, the Tabla lends itself heartily to innovation, and has shown its cultural versatility as an increasingly sought-after instrument in contemporary Western contexts such as Pop, Film Music, and World Music Fusion. This notion led me to conceive of an opening movement that would do the not-so-obvious by placing the Tabla first in a decidedly non-Indian context. Here, initiated by a quasi-Baroque canon in four parts, the music quickly turns into an evocation of one my favourite genres of electronic music: ‘Drum-&-Bass’, characterised by rapid ‘breakbeat’ rhythms in the percussion. Of course, there are some North-Indian Classical musical elements present. The whole makes for a rather bizarre stew that reflects globalisation, for better or worse!

A brief second movement becomes a short respite from the energy of the outer movements, and offers a perspective of the Tabla as accompanist in the lyrical world of Indian folk-song. Set in ‘dheepchandhi’, a rhythmic cycle of 14 beats, the gently lilting gait of theTabla rhythm supports various melodic fragments that come together to form an ephemeral love-song.

Typically, a Tabla player concluding a solo recital would do so by presenting a sequence of short, fixed (non-improvised) compositions from his/her repertoire. Each mini-composition, multi-faceted as a little gem, would often be presented first in the form of a vocal recitation. The traditional accompaniment would consist of a drone as well as a looping melody outlining the time cycle – a ‘nagma’ – against which the soloist would weave rhythmically intricate patterns of tension and release. I wanted to offer my own take on a such a recital finale, with the caveat that the orchestra is no bystander. In this movement, it is spurred on by the soloist to share in some of the rhythmic complexity. The whole movement is set in ‘teentaal’, or 16-beat cycle, and in another departure from the traditional norm, my nagma kaleidoscopically changes colour from start to finish. I am indebted to Ed Hanley for helping me choose several ‘gems’ from the Tabla repertoire, although we have certainly had our own fun in tweaking a few, not to mention composing a couple from scratch.

© Dinuk Wijeratne 2011

 

“The piece is fantastic, complex, and brilliant. The orchestration and solo writing are masterful. I didn’t think one could pull off [such] a concerto, but Dinuk did. I don’t know of anything like it. The audience went crazy after it for good reason.” John Corigliano

“This is simply the best Western Classical piece written for my instrument”– Sandeep Das, Grammy-winning tabla player; Yo Yo Ma’s Silk Road Ensemble

“Dinuk Wijeratne’s Tabla Concerto is a breath of fresh air in the repertoire – a vibrant, colourful piece that orchestras love to play, and audiences will never forget.” JoAnn Falletta, Music Director: Buffalo Philharmonic Orchestra & Virginia Symphony Orchestra; Principal Conductor: the Ulster Orchestra

“Dinuk is one of the most gifted musicians I know. His Tabla Concerto is a pioneering work of musical fusion, a seamless integration of the most complex aspects of North Indian Classical Tabla music into a totally Western model.”– Bernhard Gueller, Music Director: Symphony Nova Scotia

“Dinuk Wijeratne’s Tabla Concerto is a fresh, engaging, cross-cultural, embracing and original piece, which blends cultures marvellously. Combined with Sandeep Das’ virtuosity and energy as soloist, the concerto delighted both audience and orchestra at its US premieres. To include tabla recitation in the last movement was a stroke of genius.”– Alastair Willis, Music Director: Illinois Symphony Orchestra

“Dinuk’s Concerto for Tabla and Orchestra is utterly spectacular. From the moment it begins, you are drawn into an evocative world where cultures have no barriers, and co-exist in a way that is completely natural. Add to that a high octane, colourful score and everyone…musicians, audience, conductor…all leave excited and looking for more!”– Robert Franz, Music Director: Windsor Symphony Orchestra, Boise Philharmonic

Tabla 101

Our featured Vibrant Light soloist Shawn Mativetsky is a course lecturer at the Schulich School of Music.  He was a part of Shulich’s Short Form Studies and created a guide that takes you through rhythmic applications inspired by the music of North India. It begins with an introduction to the tabla and includes a permutation exercise to include in your practice sessions!

It’s a great introduction to the tabla and a sneak peek into what we will experience with Dinuk Wijeratne’s Tabla Concerto.

 

Music Talk – Vibrant Light

 

We’re going live from the travel section of McNally Robinson Booksellers for Music Talk from McNally! The SSO’s Mark Turner is joined by conductor and composer Dinuk Wijeratne who leads the SSO in Rimsky-Korsakov’s Scheherazade and his Concerto for Tabla and Orchestra which features Shawn Mativetsky. To read the full program, buy tickets, and find out more go to: https://saskatoonsymphony.org/event/v…

Ryan Davis | Radia

Touted by The WholeNote as a “lovely violist,” Radia, the moniker for Saskatchewan-raised artist Ryan Davis, is swiftly emerging as a singular creative force. Combining his rigorous classical training with the inspiration of folk, electronic, and hip-hop music, he finds himself seamlessly blending in between creative spaces. Using the viola as his voice, his unique sound has garnered attention and has been featured in diverse spaces, including in Toronto’s Koerner Hall, The Violin Channel, in Los Angeles’s Skid Row, and on ABC Channel 7 News LA. Of Glow & Abandon, his debut EP, was released on all major platforms on December 18th, 2021. He was named one of “30 Hot Canadian Classical Musicians Under 30” by CBC Music in 2021.

Some recent highlights include an appearance on former Toronto Raptors forward and NBA Champion Serge Ibaka’s Instagram Live show How Talented Are You?, a performance with The Gryphon Trio and vocalist Patricia O’Callaghan as a featured guest artist in Kingston’s Isabel Bader Theatre, a solo curation called Chromatophores as part of the Banff Centre’s Evolution Classical festival, and a performance of Christos Hatzis’s The Mega4 Meta4 as an invited solo artist as part of 21C Music Festival at The Royal Conservatory of Music. Ryan was chosen as the principal violist of the string ensemble Les Jeunes Virtuoses in Montreal, as part of the Montreal Chamber Music Festival in the fall of 2021.

He had a solo concerto debut with ensemble Prairie Virtuosi in January 2016, and has since returned in that role in 2020. Mr. Davis was the principal violist of the Colburn Orchestra’s 2018 tour of Scotland and Ireland, and was selected by the Lucerne Festival Academy Orchestra as their principal violist for the 2017 summer festival. He has been fortunate to collaborate in chamber music settings with many world-renowned musicians, including Martin Beaver, Jonathan Crow, Steven Dann, Roberto Diaz, Mark Fewer, Matt Haimovitz, Ernst Kovacic, Joel Link, Anthony Marwood, Johannes Moser, Eric Nowlin, Erika Raum, Wolfgang Redik, Lara St. John, and Axel Strauss. Festivals include the Banff Centre for the Arts, Creative Dialogue France, Orford Arts Center, Ottawa Chamberfest, McGill International String Quartet Academy, Napa Valley Music Festival, Ritornello Chamber Music Festival, and the Toronto Summer Music Festival.

Ryan’s passion for community engagement has led to working closely with Street Symphony, focused within the Skid Row neighbourhood of Los Angeles. Along with trombonist Jared Dickerson and violinist Simone Porter, he created the media co-op The Upnote, a platform and podcast focused on the exploration of young artists in an ever-changing music industry. After over 50 episodes, The Upnote was selected as the inaugural Entrepreneurs In Residence at the Colburn School for the 2019-2020 academic year, and were awarded the Grand Prize at the New Venture Competition.
In 2014 Mr. Davis completed a Bachelor of Music degree at McGill University, graduating with “Outstanding Achievement in Viola” as a scholarship student of Andre Roy, and graduated in 2016 with a Master of Music degree from the Yale School of Music as a student of Ettore Causa, and in 2019 graduated from Los Angeles’s The Colburn School, receiving an Artist Diploma under the tutelage of Paul Coletti. Ryan was then chosen as the first ever violist to be selected as a Rebanks Fellow in 2019, in the Rebanks Family Fellowship & International Performance Residency Program in Toronto, where he now calls home.

 

Music Talk – Nordic Light

We’re live from the travel section of McNally Robinson Booksellers for Music Talk from McNally! The SSO’s Mark Turner is joined by Nicolas Ellis who leads the SSO, the Greystone Singers, and Aurora Voce this weekend in what promises to be a stunning performance of Ērik Ešenvalds’ Nordic Light. Turner and Ellis will chat about Ešenvalds’ work and the other music on the program. They will also dive into what it’s like behind the scenes with over 100 musicians on stage, and all the technical aspects of performing a multi-media piece.

Marcus Goddard, composer

Marcus Goddard is an award-winning composer and internationally respected trumpet player whose music has touched the hearts of audiences around the world. His catalog of over fifty works includes ten pieces for large orchestra, many frequently performed chamber works, and a large body of innovative work for solo instruments and electronics. Goddard is the Composer in Association and Associate Principal Trumpet with the Grammy and Juno Award-winning Vancouver Symphony Orchestra in British Columbia, Canada.

Described by New York Times critic Anthony Tommasini as “atmospheric” and by the CBC’s Bill Richardson as possessing a “shimmering, translucent, winning eloquence”, Goddard’s work is routinely praised by musicians, audiences, composers, and critics alike. Goddard’s unique ability to connect across these lines has led to frequent performances of his works. His quartet Allaqi, which was commissioned for the St. Lawrence String Quartet by Chamber Music Kelowna and CBC Radio, was recorded by the St Lawrence Quartet received the 2011 Western Canadian Music Award for Best Composition. Allaqi has been performed nearly one hundred times by quartets across North and South America, including performances at Carnegie Hall, the New World Center, and the Banff International String Quartet Competition. The work has been a staple of the Astera String Quartet’s repertoire in its recent first place performances at the M-Prize, Fischoff, and Saint Paul String Quartet Competitions. The Archytas Quartet recently recorded an album dedicated to Goddard’s chamber music for strings featuring Allaqi; Wind, Sand and Stars; and his newest string quartet, Three Wings.

I Send Only Angels was commissioned by Maestro Bramwell Tovey and the Vancouver Symphony Orchestra and has received over thirty performances to date, including one led by Maestro Tovey with l’Orchestre Symphonique de Montréal as well as multiple performances during a national tour by the National Youth Orchestra of Canada. The Vancouver Symphony Orchestra recently commissioned a Violin Concerto, written for and premiered by Rachel Barton Pine, and a new orchestral work titled Spooky Action at a Distance. Upcoming commissions include a trumpet concerto, cello concerto, and sonata for trumpet and piano. Goddard has enjoyed frequent creative partnerships with performers, dancers, and visual artists, including a recent collaboration with First Nations artist Mike Dangeli and Vancouver’s Standing Wave Ensemble on a work titled Raven Tales. Standing Wave’s recording of the work was nominated for a 2017 Western Canadian Music Award.

As an enthusiastic educator, Goddard has been inspiring and instructing students of all ages for over twenty years in composition and trumpet performance. He has taught at the master’s level at the University of British Columbia and has taught undergraduate performance majors as an Associate Instructor at Indiana University. Goddard has been on the faculty of the National Youth Orchestra of Canada and the Vancouver Symphony Orchestra Institute at Whistler, B.C. As a long-time Guest Artist at the PRISMA Festival in Powell River B.C., Goddard has taught and mentored many students in orchestral performance and audition training. Many of Goddard’s students have gone on to win professional positions in orchestras and educational institutions in North America and Europe.

Inspiring young people’s creativity has been an ongoing mission for Goddard. In 1999 Goddard created a composition program for students at the Quiring Chamber Music Camp in Vancouver, B.C. Since then, he has nurtured the interest and curiosity of over four hundred composition students between the ages of five and twenty in this program. Goddard regularly shares his enthusiasm for the trumpet and composing as a clinician with festivals, secondary schools and Universities across North America. In partnership with the Trio Accord ensemble, he has been a featured speaker on collaborative creativity for MBA students at the University of British Columbia’s Sauder School of Business.

Goddard has been the recipient of fellowships from the Spoleto Festival and the National Orchestral Institute. While completing a Master’s degree at Indiana University he was awarded the coveted Performer’s Diploma and performed Edward Gregson’s Trumpet Concerto as the winner of the Concerto Competition. Goddard graduated magna cum laude with a bachelor of music degree from the University of Michigan. His major trumpet teachers include John Rommel, Charles Daval, Armando Ghitalla, Chris Gekker, Louis Ranger, and Jeff Stempien. He has attended seminars with John Corigliano, William Bolcom, Philip Glass, and Krzysztof Penderecki and his major composition teachers include David Dzubay, Marta Ptaszynska, Steve Rouse, and Claude Baker.

In his free time, Goddard explores the Pacific Coast Mountains with his family and friends by foot on skis and mountain bikes. Goddard was born in Burlington, Vermont and holds both Canadian and U.S. citizenship.

www.marcusgoddard.com

SeaLegacy

The video footage that accompanies Marcus Goddard’s Life Emerging: Antarctica is provided by SeaLegacy.

Founded and led by Cristina Mittermeier, Paul Nicklen, and Andy Mann, a passionate team of world-class filmmakers, conservationists and photographers, their mission is to use strategic communications at the intersection of art, science, and conservation to protect and rewild the ocean within our lifetimes. They bring ocean stories and solutions to light for the benefit of biodiversity, humanity, and climate.  

 

You can find out more about their projects, join the mailing list, and donate by visiting their website: www.sealegacy.org

SeaLegacy is a registered 501c3 charity in the United States. 

Ēriks Ešenvalds, composer

Ēriks Ešenvalds is one of the most sought-after composers working today, with a busy commission schedule and performances of his music heard on every continent. Born in Priekule, Latvia in 1977, he studied at the Latvian Baptist Theological Seminary (1995–97) before obtaining his Master’s degree in composition (2004) from the Latvian Academy of Music under the tutelage of Selga Mence. He took master-classes with Michael Finnissy, Klaus Huber, Philippe Manoury, and Jonathan Harvey, amongst others. From 2002–11 he was a member of the State Choir Latvija. In 2011 he was awarded the two-year position of Fellow Commoner in Creative Arts at Trinity College, University of Cambridge. He is married with four children and gives students his expertise as composition teacher at the Latvian Academy of Music.

Ēriks Ešenvalds has won multiple awards for his work, including the Latvian Grand Music Award three times (2005, 2007, and 2015). The International Rostrum of Composers awarded him first prize in 2006 for his work The Legend of the Walled-in Woman. He was The Year’s New-Composer Discovery of the Philadelphia Inquirer in 2010. In 2018 he was bestowed Officer in the Order of the Three Stars, the highest state decoration of his home country Latvia, for merits in the field of culture.

Ēriks Ešenvalds’ compositions have been premiered by ensembles including the Boston Symphony Orchestra, the City of Birmingham Symphony Orchestra, Utah Symphony, Britten Sinfonia, Gewandhaus Leipzig, The King’s Singers, Latvian Voices, the Choir of Trinity College Cambridge, the Holst Singers, Imogen Heap, Polyphony, the Choir of Merton College Oxford, the Latvian Radio Choir, the State Choir Latvija, Youth Choir Kamēr…, Sinfonietta Riga, the Bavarian Radio Choir, the Latvian National Symphony Orchestra, Latvian National Opera and Ballet, the Liepaja Symphony Orchestra, Ora Singers, National Youth Choir of Great Britain, BBC Proms Youth Choir, the Netherlands National Children’s Choir, Shenzhen Lily Choir, New Zealand Youth Choir, the Swedish Art Vocal Ensemble, the Choir of Trinity College Melbourne, Salt Lake Vocal Artists, Temple University Concert Choir, The Crossing, Chor Leoni, Golden Gate Men’s Chorus, Portland State University Chamber Choir, the Choir of the West at Pacific Lutheran University in Tacoma, ChorWerk Ruhr, Cathedral Choral Society, Cor Vivaldi, The University of Louisville Cardinal Singers, Yale Glee Club, the Miami University Men’s Glee Club, The University of Mississippi Concert Singers, Lincoln’s Inn Choir, Wartburg College Choir, Oklahoma State University Concert Chorale, Classical Movements, Saint Louis Chamber Chorus, Louisville University Cardinal Singers, Cabrillo Chorus, and the Monterey Chamber Orchestra. He composed the score for the Latvian feature film Mellow Mud, which was awarded at the 2016 Berlin International Film Festival and 2017 Palm Springs International Film Festival.

Ēriks Ešenvalds’ music has been performed at numerous international festivals including Klangspuren in Austria, the Schleswig-Holstein Musik Festival in Germany, Tenso Days in France, the Haarlem Choir Biennale and Cello Biennale Amsterdam in the Netherlands, the Latvian Song and Dance Festival and International Sacred Music Festival in Latvia, the World Choir Games, IFCM World Symposium on Choral Music, the BBC Proms, Cheltenham Music Festival, and Voices Now in the UK, Grant Park Music Festival, the ACDA National and Regional Conferences, and Spoleto Festival in the US, and The Singing Network in Canada. He was commissioned for Latvia’s centenary celebrations on the 2018 Proclamation Day and for the 2013 National Remembrance Day of the Netherlands.

Ēriks Ešenvalds is a popular public speaker, which he often combines with leading workshops on his music. At the 2014 World Choir Games held in Riga, he composed the Games anthem, gave a major presentation on his work, acted on competition juries, and had a large-scale production premiered by the Latvian Voices and The King’s Singers. The 2015 ACDA National Conference in Salt Lake City premiered his Whispers on the Prairie Wind, where he also gave a presentation on his music, and took part in a composer roundtable forum. He was a speaker at the 2017 IFCM World Symposium on Choral Music in Barcelona, the 2018 Chorus America Conference in Chicago, the 2018 Choral Canada Podium Conference & Festival and 2018 and 2015 Singing Network International Symposium in St John’s, Canada, Choral Connect 2017 in Auckland, and at IAML 2017, the 66th annual congress of the International Association of Music Libraries, Archives and Documentation Centres in Riga. He served as a jury member at the 2018 International Baltic Sea Choir Competition in Jūrmala, the 2019 and 2017 Musica Sacra Nova International Composers Competition under the patronage of the Pontifical Institute of Sacred Music in Rome, the 2017 Cantat International Choral Festival and Symposium in Manado, Indonesia, and the 2016 Rimini International Choral Competition.

Ēriks Ešenvalds’ compositions appear on many recordings released by labels such as Decca Classics, Delphian, Deutsche Grammophon, Hyperion, Naxos, Ondine, Pentatone, and Signum. To date, ten recordings are devoted exclusively to his work: Northern Lights from Trinity College Choir Cambridge (Gramophone Award Shortlist and Critics’ Choice, ICI Radio-Canada Best Albums Selection), Passion and Resurrection from Polyphony with Britten Sinfonia, St Luke Passion from the Latvian Radio Choir and Sinfonietta Riga (Gramophone Editor’s Choice, Opera News Critic’s Choice), Translations (Gramophone’s Critics’ Choice and Editor’s Choice) and The Doors of Heaven (Gramophone Editor’s Choice) from Portland State Chamber Choir, There Will Come Soft Rains by Choir of the West at Pacific Lutheran University (Gramophone’s Editor’s Choice), From the Dim and Distant Past and At the Foot of the Sky from State Choir Latvija (Best Latvian Classical Album of the Year), O Salutaris from Youth Choir Kamēr… (Best Latvian Classical Album of the Year), and most recently the compilation Latvian Radio Archive: Ēriks Ešenvalds. His work Earth Teach Me Quiet recorded live by The Crossing on their Grammy-nominated album Rising w/ The Crossing was selected amongst The New York Times 25 Best Classical Music Tracks of 2020.

Ēriks Ešenvalds’ recent large-scale premieres include Lakes Awake at Dawn for the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra, The Pleiades for the Grant Park Music Festival Chicago, A Shadow for the BBC Proms, Dreams Under Your Feet for the Gewandhaus Leipzig, Whispers on the Prairie Wind for the Utah Symphony and Utah Chamber Artists, St Luke Passion for the Latvian Radio Choir and Sinfonietta Riga, and Visions of Arctic: Sea for the Liepāja Symphony Orchestra. His full-scale opera The Immured was premiered at the Latvian National Opera in 2016 to great acclaim. 2018 saw the premiere of his second major multimedia symphony based on volcanoes. Nordic Light, his first multimedia symphony on the natural phenomenon of the aurora borealis, was performed in the US, Canada, and Germany, and is the subject of the documentary film Nordic Light: A Composer’s Diary, which follows the composer on his expeditions to the Arctic region.

Ēriks Ešenvalds’ premieres this season include commissions from the ‘Lietuva’ ensemble Lithuania, Musica Viva Australia, Christ Church Houston, and others. He will travel to the USA, Japan, and many European countries to work with choirs both as composer and conductor.

Edition Peters Artist Management is managing Ēriks Ešenvalds’ commissions and workshop schedule. Ēriks Ešenvalds is published by Musica Baltica in global partnership with Edition Peters.

www.eriksesenvalds.com

Jean Sibelius, composer

Finnish composer Jean Sibelius, née Johan Julius Christian Sibelius, was born on December 8th, 1865 in Hämeenlinna (Swedish: Tavastehus) in the Grand Duchy of Finland, an autonomous part of the Russian Empire. He was the son of the Swedish-speaking medical doctor Christian Gustaf Sibelius and Maria Charlotta Sibelius (née Borg).

His father passed away when Sibelius was young so his family moved into the home of his maternal grandmother. Sibelius’ uncle, Pehr Ferdinand Sibelius, who was interested in music, gave the boy a violin when he was ten years old and later encouraged him to maintain his interest in composition.

Sibelius spent many of his childhood summers wandering around the countryside. His strong love of nature shines through in many of his compositions. His family moved to Loviisa on the coast for the summer months. In his own words: “For me, Loviisa represented sun and happiness. Hämeenlinna was where I went to school; Loviisa was freedom.”

After graduating from high school in 1885, Sibelius began to study law at the Imperial Alexander University in Finland but, showing far more interest in music, soon moved to the Helsinki Music Institute (now the Sibelius Academy) where he studied from 1885 to 1889.

Initially, Sibelius wanted to be a violinist,

My tragedy was that I wanted to be a celebrated violinist at any price. Since the age of 15 I played my violin practically from morning to night. I hated pen and ink—unfortunately I preferred an elegant violin bow. My love for the violin lasted quite long and it was a very painful awakening when I had to admit that I had begun my training for the exacting career of a virtuoso too late.

He came to realize that his strengths lay in composition. One of his teachers, Martin Wegelius, gave the self-taught Sibelius his first formal lessons in composition. Sibelius continued his studies in Berlin (from 1889 to 1890) with Albert Becker, and in Vienna (from 1890 to 1891) with Robert Fuchs and the Hungarian-Jewish Karl Goldmark. In Berlin, he had the opportunity to widen his musical experience by going to a variety of concerts and operas, including the premiere of Richard Strauss’s Don Juan.

While Sibelius was studying music in Helsinki in the autumn of 1888, Armas Järnefelt, a friend from the Music Institute, invited him to the family home. There he met and immediately fell in love with Aino, the 17-year-old daughter of General Alexander Järnefelt, the governor of Vaasa, and Elisabeth Clodt von Jürgensburg, a Baltic aristocrat.

When Sibelius completed his studies, he married Aisno in June 1892 at Maxmo. They spent their honeymoon in Karelia, the home of the Kalevala. It served as an inspiration for Sibelius’s tone poem En saga, the Lemminkäinen legends and the Karelia Suite.  Their home, Ainola, was completed on Lake Tuusula, Järvenpää, in 1903. During the years at Ainola, they had six daughters: Eva, Ruth, Kirsti (who died aged one from typhoid), Katarina, Margareta and Heidi.

He began premiering his orchestral works in 1892 with Kullervo. It was described by Juho Ranta who sang in the choir as, “Finnish music.” Thus began a long career of creating works that encapsulated Finnish music.

On the evening of 20 September 1957, Sibelius died of a brain haemorrhage at the age of 91. At the time of his death, his Fifth Symphony, conducted by Sir Malcolm Sargent, was being broadcast by radio from Helsinki. At the same time, the United Nations General Assembly was in session, and the then President of the Assembly, Sir Leslie Munro of New Zealand, called for a moment of silence and delivered a eulogy: “Sibelius belonged to the whole world. He enriched the life of the entire human race with his music”. Sibelius was honoured with a state funeral and is buried in the garden at Ainola.