William Rowson, conductor

William Rowson, conductor

Conductor William Rowson is hailed as one of Canada’s most compelling and versatile young artists. He has worked with orchestras across Canada and currently serves as the Artistic and Executive Director of the Sudbury Symphony Orchestra, as well as being the Music Director of the Stratford Symphony Orchestra. He is also on the faculty at the Vancouver Symphony School of Music. Recent guest conducting highlights include appearances with the Hamilton Philharmonic Orchestra, the Guelph Symphony Orchestra, the London Classical Soloists (UK), the Regina Symphony, and the Victoria Symphony, as well as return engagements with both the Saskatoon and Vancouver Symphony Orchestras.
From 2016-2018 Bill was the Assistant Conductor of the Vancouver Symphony Orchestra, becoming the orchestra’s Associate Conductor in 2019. He has led the Grammy and Juno award-winning ensemble in over 160 performances. To great acclaim, he conducted and hosted the VSO’s inaugural Sunset Beach outdoor concert to a crowd of over 14,000 as well as working with such artists as Chris Botti, Pink Martini, Troupe Vertigo, Cirque de la Symphonie, Arrival from Sweden (Abba), The Hot Sardines, Enchantment Theatre Company, Fred Penner, Magic Circle Mime Company, Platypus Theatre, Chris Hadfield, Classical Kids, as well as films with live orchestra.

Bill is also an active composer, whose original works and orchestral arrangements have been performed by orchestras and ensembles throughout Canada, the US and Europe, and have been broadcast in over 20 countries. His recent work Short Variations on Waves was featured on the 2021 Juno Award winning album Mosaïque by the Ensemble Made in Canada, and his Fanfare for Canada’s 150th was premiered by the Toronto Symphony Orchestra, conducted by Thomas Dausgaard. This performance has been viewed 142,000 times on YouTube. 2021 saw the world premiere of a new work for the Vancouver Symphony called The Carnival of OUR Animals, written in collaboration with the VSO Indigenous Council, it showcases the music and stories of the Coast Salish peoples. Upcoming projects include the 2023 premiere of a new children’s opera Frog Song, produced by Here for Now Theatre and the Stratford Symphony, as well as a new work for the Victoria Symphony.

A strong advocate for orchestral music, Bill is dedicated to exploring new ways of bridging the classical music experience into the 21st century through creative programming, community-oriented collaborations, socially engaged concert experiences, and utilizing social media and digital platforms to connect with new audiences. Bill is also committed to music education of the highest calibre, having produced, and written several symphonic educational programs and by working with youth ensembles throughout BC’s lower mainland as well as working at the Glenn Gould Professional School, and the National Academy Orchestra of Canada. Bill is a graduate of the Curtis Institute of Music and the University of Toronto. He lives in Vancouver with his wife Yvanna, and their two daughters.

Godwin Friesen, piano

An impassioned pianist who infuses his performances with emotion, Godwin seems to embody every note he plays, and his sentiment resonates in his listeners. In 2022, he took first place at the OSM Competition (and received the prize for best interpretation of the imposed Canadian work). He also placed first in piano at the National Music Festival (2015), won the Glenn Gould School Concerto Competition (2019), and took second place at the PianoArts North American Competition in Milwaukee (2022).

Godwin frequently returns to play with the very first ensemble to which he belonged – he grew up touring music with his parents and five siblings in the Friesen Family Band. The musical development he experienced during several Canadian tours and three album recordings was profound, and he began formal piano studies around age seven.

His early start playing as a trio with his sister and brother has paid off in the Rilian Trio with Daniel Dastoor and David Liam Roberts, which won first prize, audience prize and best performance of the commissioned work at the Trondheim International Chamber Music Competition (2023).

Godwin has made a promising start as a composer. He performed his own Prelude and Fugue in A Major in the Virée Classique summer festival in Montreal, which was broadcast by the CBC. His latest composition, Psalm 131 for Piano Trio, will be performed by the Rilians in Canada, Denmark and Norway this year.

Godwin holds a bachelor’s degree and an Artist Diploma from The Glenn Gould School, where he studied with John O’Conor from 2016 to 2022. He is now pursuing a master’s degree at the Université de Montréal as a student of Jean Saulnier and Henry Kramer.

Véronique Mathieu, violin

Described as a violinist with ‘chops to burn, and rock solid musicianship’ (The Whole Note, TORONTO), Canadian violinist Véronique Mathieu enjoys an exciting career as a soloist, chamber musician, and music educator. Recent engagements have taken her throughout Europe and Asia, and she continues to work extensively with composers. Her CD ARGOT was recently featured on a BBC series dedicated to the music of Lutoslawski, and receives frequent airplay in the US. Recent highlights include the Canadian premiere of Marc-André Dalbavie’s violin concerto with Esprit Orchestra, a performance of John Corigliano’s Chaconne during the composer’s 80th birthday celebrations, the release of a second CD with pianist Stephanie Chua, and numerous recitals throughout North America.

Véronique has performed as a soloist and chamber musician throughout Asia, Europe, South Africa, South America, and the United States. She is a prizewinner of the 2012 Eckhardt-Gramatté Contemporary Music Competition, the 2010 Krakow International Contemporary Music Competition, and a three-time winner of the Canada Council Bank of Instruments Competition. Ms. Mathieu holds the David L. Kaplan Chair in Music at the University of Saskatchewan where she serves as an Associate Professor of Violin. She previously served on the faculty at the University of Kansas and State University of New York, in Buffalo.

An avid contemporary music performer, she has commissioned and premiered numerous works by American, Brazilian, and Canadian composers, and has worked with composers such as Pierre Boulez, Heinz Holliger, and Krzysztof Penderecki. She recorded for the CD series New Music at Indiana University, the label of Radio-Canada, Centrediscs, PARMA, Naxos, and Pheromone. Current projects include the commission of a large-scale solo violin work by Odawa First Nations composer Barbara Croall and a set of 12 pedagogical pieces written in collaboration with 12 internationally renowned composers with the support of the SSHRC and the Canada Council for the Arts.

Véronique has performed as a soloist with orchestras such as the National Arts Centre Orchestra, Shenyang Symphony Orchestra, Esprit Orchestra, Oakville Symphony Orchestra, the Filarmonica de Americana, Kokomo Symphony, Columbus Indiana Philharmonic, and the Montreal Contemporary Ensemble. She has given solo performances in China, Georgia, Italy, Vietnam, as well as world premieres of works by Brian Harman and Adam Scime. Her CD debut of solo works by Boulez, Donatoni, and Lutoslawski was praised as a recording of “outstanding violin playing” and “stunning [performance] with amazing technique”. Following the release of her 3rd solo CD (Cortège), she was a finalist in the Classical Artist/Ensemble of the Year category at the 2021 Western Canadian Music Awards.

In addition to her teaching and performing activities, Véronique is the co-founder and artistic director of NAVO (www.navoarts.com), a non-for-profit arts organization dedicated to bringing world-class performances to the Midwest.

Véronique won many prizes in Canada before completing her Bachelor’s Degree in Music at the Québec Conservatory. She obtained an Artist Diploma with outstanding achievement in violin performance from McGill University as a student of Denise Lupien, where was a recipient of the Ethel J. Ivey Award, and the Lloyd Carr Harris Scholarship. Mathieu completed a Performer Diploma and a Master’s Degree in music at Indiana University with professor Miriam Fried while working as an Associate Instructor in violin. She also completed a Doctor of music degree in violin performance at the same institution under the guidance of Mark Kaplan, and was a fellow at the Glenn Gould School in Toronto.

https://www.veroniquemathieu.net/