Ian Cleary, tenor

Ian Cleary, tenor

Canadian tenor Ian Cleary began his musical studies while growing up in Chatham, Ontario, and is a Graduate of Wilfrid Laurier University where he studied with Kimberly Barber. Ian received an Opera Diploma from the University of British Columbia under the vocal instruction of J. Patrick Raftery and sang principal roles in several UBC Opera productions, including Kevin Puts’ Silent Night, Mieczysław Weinberg’s The Passenger, and Mozart’s Die Zauberflöte. Ian sang the role of Hoffmann in their production of Offenbach’s Les contes d’Hoffmann.

While a member of Vancouver Opera’s Yulanda M. Faris Young Artist Program, in 2021/22, Ian sang the role of Ivan in The Music Shop (Wargo) and Walther in Blond Eckbert, (Weir) digital productions created during the pandemic. Ian understudied Turiddu in Vancouver Opera’s concert performance of Cavalleria Rusticana and covered the role of Ralph Rackstraw in HMS Pinafore. He debuted with Vancouver Bach Choir as tenor soloist in Rossini’s Petite messe solennelle; Leslie Dala, conductor.

As Don Jose in Vancouver Opera’s digital production Carmen: Up Close and Personal, John Jane of ReviewVancouver.org wrote, “Tenor Ian Cleary is superb in the multi­dimensional role of the accursed Don José. As he is drawn under Carmen’s spell, he becomes consumed with jealousy; he is smitten, subjugated, humiliated, ultimately rejected, and yet he returns to her begging for more.”

In his recent debut with Saskatooon Opera, Matt Olson of PodSask said “Magnificent and gut­wrenching performances…Ian Cleary’s turn as spurned lover Don José was chillingly intense.”

Ian looks forward to returning to Vancouver Opera as Snout in their 2023 mainstage production of Britten’s A Midsummer Night’s Dream, with Jacques Lacombe, conductor.

Adam Lau, bass

American bass Adam Lau, praised as “a bass whose singing resonates in every sense of the word”, continues a busy and varied career in opera and concert with a wide range of engagements in the 2023-24 season.

He began the summer of 2023 in concerts with the Metropolitan Opera, both at Carnegie Hall and on the company’s European tour, conducted by the Met’s Music Director, Yannick Nezet-Seguin. He next appeared as Sarastro in The Magic Flute at The Ravinia Festival, led by Marin Alsop.

In Autumn 2023, Mr. Lau rejoined San Francisco Opera, where he covered the role of Kobun in The (R)evolution of Steve Jobs and sang a Noble in Lohengrin. Early 2024 finds him making his debut with The Atlanta Symphony, singing Bruckner’s Te Deum. Next, he returns to Utah Opera to sing a favorite part, the title role in The Marriage of Figaro. More Mozart follows as he joins Arizona Opera as The Commendatore in Don Giovanni. 

Returning to the concert stage, he sings Verdi Requiem at Artosphere Festival, Beethoven’s 9th Symphony with Saskatoon Symphony and returns to Seattle Opera to sing in their 60th Anniversary Concert and Gala. In summer 2024, he will record the role of Oroveso in Norma with Pentatone in Cluj, Romania.

The 2022-23 season was also a busy one for Adam Lau. He made his debut with four opera companies- San Francisco Opera, New Orleans Opera, Opera Company of Philadelphia and Florentine Opera, and he returned to the Metropolitan Opera.

Some of his most-performed roles are Leporello in Don Giovanni, Colline in La Boheme, Don Basilio in The Barber of Seville and Timur in Turandot, with such companies as Seattle Opera, Atlanta Opera, Dallas Opera, Florida Grand Opera, Lyric Opera of Kansas City, Portland Opera, North Carolina Opera and Opera Theatre of Saint Louis, as well as with some of the nation’s leading summer programs, including Merola Opera Center ,Aspen Opera Theater and Santa Fe Opera.

Adam Lau has won First Prize in The George London Competition, The Jensen Vocal Competition, Palm Springs Opera Guild Competition and The Young Patronesses of Opera Competition.

 

https://www.adampaullau.com/

Music Talk – Beethoven 9 at 200

For our last Music Talk of the season, guest host Olivia Adams chats with Maestra Judith Yan about Beethoven 9 at 200 on Tuesday, April 30, 2024, from the Travel Alcove of McNally Robinson.

 

Eekwol

Eekwol (Lindsay Knight) is an award-winning hip hop performing artist living in Saskatoon, Treaty Six Territory, originally from Muskoday First Nation. Eekwol has been making music for many years.  Her 5th full-length album titled, Good Kill was released in 2017 and the single,”Pitiful feat. 2oolman” made it to the #1 spot on the National Aboriginal Music Countdown and charted in Sirius Radio and numerous college and community stations and streaming site playlists. For 2019, she successfully received a Canada Council grant and completed a concept project with fellow lyricist, T-Rhyme titled, For Women By Women. She is currently working on a new album funded by the Canada Council for the Arts to be released in the Spring of 2024.

Eekwol uses her music and words to spread messages of resistance, revolution and keeping the language, land and culture alive for the next generations. Through her original sound she displays her activist roots by living and creating as a supporter of both Hip Hop and Indigenous culture and rights.

Along with motherhood, music and academic work, Eekwol frequently works with young people across the country as a mentor and helper. She achieves this through performances, workshops, speaking events, conferences and programs.

 

You can find Eekwol on:

Instagram

Facebook

Youtube

Apple Music

Spotify

Falynn Baptiste

About Falynn Baptiste

My mother says I came into the world a songbird, humming and singing to myself when I was a little girl. My late nôkum (grandmother) and nôhtawiy (father) were gifted with song, thus music has always been a part of my life. I was blessed to have been raised on Red Pheasant First Nation among a very large family, rooted in my nêhiyaw culture, traditions and language. I am also proud to be Mêtis and come from an equally large family with strong roots from Cumberland House, SK. My late mosom’s (grandfathers), nokum’s (grandmothers), my parents and their siblings were first language Cree speakers.  Along with language, prayer and spirituality were instilled in us.  My late grandparents made connections between their Cree spiritual teachings and the teachings of the Catholic church. One teaching did not replace the other, instead the two ways of praying walked side by side in harmony and respect.  As such, we regularly went to church.  At an early age, I began singing church songs that had been translated to the the Cree language.  One of my first large audience performances was of “Amazing Grace” in Cree at the age of 14.  I went on to do many performances over the years where people have requested songs sung in Cree, often hymns such as Amazing Grace and How Great Thou Art.

As an educator I have witnessed the growing absence of Cree language speakers among the younger generations and wondered if the the loss of language has contributed to the loss of identity among our Indigenous youth. Motivated by the importance of preserving the language, I recorded a two song Christmas demo of “O Holy Night” and “What Child is This” translated into Cree in 2012.  In 2014, I released an additional two songs, “Silent Night” and “O Come All Ye Faithful”, also translated into Cree. I am both humbled and grateful for the overwhelming positive response from listeners across Canada and the United States. It is the voices of support and encouragement that has inspired me to continue recording contemporary music in the Cree language.

As Indigenous people, we believe our languages are powerful. Language was a gift given to us from the Creator and it carries our teachings, songs and ceremonies.  Language is the spirit of what it means to be Indigenous.  Hearing contemporary song translated into Indigenous languages stirs emotion and creates a strong connection to the spirit.  It also serves as a bridge, connecting the voices of the past to those of the present.  It is in preserving and revitalizing our Indigenous languages that we will find healing and strength. There is great beauty among the Indigenous languages of Turtle Island.

https://falynnbaptiste.com/

Elyse Evangelista

With over 20 years of multi-genre vocal training, Elyse has moved from Toronto to her wonderful hometown of Saskatoon, bringing her wealth of vocal knowledge and life experience with her. After 6 years managing one of the top vocal training studios in Toronto, Big Voice Studios, Elyse is thrilled to have her own vocal studio here in the city where it all began!

After years of performing on stage in Musicals, Cover Bands, Voice Over and Film/TV all over Toronto, Elyse has coached a variety of artists in multiple genres. These include; singer/songwriters, pop, indie, folk, country, blues, rock, jazz, musical theatre, R & B, rap and many more! Elyse loves working with passionate artists who have a love for authentic vocals and transformative music.

​Working in Toronto for over a decade has given Elyse the skills and life experience to help artists develop their own authentic voice and discover who they truly are as a vocalist. Elyse has prepped many artists for professional recordings in Nashville, London, Toronto and across Canada! 

Kateryna Khartova

Kateryna Khartova is a Canadian-Ukrainian soprano. She is a recent graduate of the Glenn Gould School of Music in Toronto where she received her Artist Diploma. Katya is also a proud alumna of the Music Department at the University of Saskatchewan. During her undergraduate studies Miss Khartova was a featured as a soloist in the University’s Music Theatre Ensemble under the directory of Dr. Garry Gable and Kathleen Lohrenz Gable.  Kateryna has won several Saskatchewan Music Festival competitions, including grand awards—Wallis Memorial Silver (2014), and Wallis Memorial Bronze (2015).

Kateryna Khartova is a passionate performer of Ukrainian art song through the Ukrainian Art Song Project (UASP) in Toronto.  She was one of eight participants at the week-long summer program of UASP 2019, culminating in a concert held at the Temerty Hall at the Royal Conservatory of Music.

Past vocal engagements include soprano solo with the Saskatoon Symphony Orchestra in Larysa Kuzmenko’s Golden Harvest in 2017. She sung Eleanor in Bohuslav  Martinů’s mini-opera Les larmes du couteau  conducted by Peter Tiefenbach and directed by Anna Theodosakis (Glenn Gould School of Music). In March 2019 Kateryna had her Koerner Hall debut as Pamina in Mozart’s Die Zauberflöte directed by Joel Ivany and conducted by Nathan Brock (Glenn Gould Shool of Music).

Her most recent achievement was joining the Saskatoon Symphony Orchestra office team as their philanthropy and engagement specialist. She is happy to continue performing and working in her Canadian home city of Saskatoon.

 

Eileen Laverty

Originally from Belfast, Northern Ireland, Eileen’s family emigrated to Canada when she was six and, while she calls herself a Prairie girl, her Irish roots run deep. Her music career began with a traditional Celtic band, and it wasn’t long before she struck out on her own performing solo in folk clubs and taverns and trying out her own originals.

Laverty’s unique brand of folk music has led to television and film features, and landed her performances with a diverse range of artists, including Kenny Rogers, Tom Cochrane, and the Saskatoon Symphony Orchestra. Her songs have been covered by several artists– most notably, Canadian Tenor John McDermott, and Irish star Mary Black. Eileen’s recording, “Tread Softly” was featured on the Songs Inspired By Literature compilation alongside tracks by Steve Earle, David Bowie, Tom Waits, and Rosanne Cash.

Eileen is also a dedicated teacher and coach, and a lifelong fan of The Beautiful Game– still playing when her schedule permits. She loves the outdoors. and many of her songs were composed in and around the northern forests and rivers of Saskatchewan. She has released three CDs and several singles to date.

http://www.eileenlaverty.com/

Madison McLean

McLean was honoured to be asked to sing as a YXE Diva and is thrilled to be back on stage with the Saskatoon Symphony Orchestra at TCU place.
Madison has been a proud member of the Saskatoon Fireside Singers for over a decade and recently performed in the Saskatoon Fireside Singers 50th Anniversary along with the Saskatoon Symphony Orchestra.
Madison’s passion for music and performing started at a young age following the footsteps of her older sister, Colby. The two sisters shared their love of music at family concerts that transitioned into duets at the Saskatoon Music Festival and many memorable moments singing together on TCU stage.
Madison acknowledges that making beautiful music with her sister and the inspiring choir members has helped her to grow professionally and personally.
She is currently teaching Grade 4 at Father Vachon School and is blessed to share her musical gifts with her students. Madison is thankful for the love and support from her family and friends, especially from her number one fan, and soon to be husband, Daniel

Ellen Nasser

An endless passion for creating, for connecting,
for self discovery, for people, for life.

Performing artist Ellen Nasser was raised in a small Saskatchewan community named Saltcoats.  Typical of rural life, Nasser took music lessons as a way to fill the long, hot prairie summer days and the cold winter ones that keep you stuck indoors.  She began her musical career with the touring musical revue, Saskatchewan Express, as well as the Canadian Heritage Society’s Spirit of a Nation, a showcase of Canadian song and dance celebrating Canada’s cultures and history.

Nasser studied at the prestigious Canadian College of Performing Arts in Victoria, B.C. and honed her musical talents aboard Norwegian Cruise Lines.  Multitalented, Nasser has also acted in TV series like Rabbit Fall and Corner Gas, as well as in stage adaptations of Evita and Toon Town with Saskatoon’s Persephone Theatre.

As a songwriter and recording artist, Thorn has four albums to her name and has completed her first Christmas album that was released on December 7th/19 the evening she performed with the Saskatoon Symphony Orchestra.

To conclude a full 2019, Ellen Nasser released a comical Christmas video: ‘Am I the Only One’ on to YouTube and her social media platforms.   Picture a ‘Home Alone Mom’ Catherine O’Hara, singing a song when she realizes she forgot Kevin! Getting lots of giggles and shares, Ellen is most happy expressing herself.

Ellen Nasser has released numerous songs to country radio including Sweet Millie, How Christmas Used to Feel, Almost Christmas, Something In Me and soon on August 18th/20 – Eight More Days.

Something In Me enjoyed some Top 30 action on Sirius XM channel 171 and she’s hoping Eight More Days will make an equal or even bigger splash!

Ellen loves to create, connect and enjoy life.  She is always writing, performing and evolving.  The truest loves of her life are hubby Johnny and their four babies: Bella, Millie, Sam, Walt and puppy Sofi.

Watch for Ellen Nasser performing at a venue near you.

Ellythorn.com