TCU Place – SSO History

TCU Place – SSO History

As we begin the countdown to our 100 year anniversary in 2030, we’re reflecting on the concerts, artists, and moments that helped make your SSO everything it is today.

As we know, the TCU Place has been home to many Saskatoon Symphony Orchestra performances. Today, we look back at the early days of what is now the TCU Place, and how it came to be.

On April 1, 1968, TCU Place (formerly known as Centennial Auditorium) opened its doors – and your SSO was the first guest to take to the stage!

The project was a vision of former Mayor J.D. McAskill in the 1950s. In 1961, Mayor Sidney Buckwold and the city council officially designated it as Saskatoon’s major centennial project. The building was designed by the firm Kerr, Cullingworth, Riches Associates – who also designed St. Peter and Paul Ukrainian Catholic Church here is Saskatoon, and the Willow Island Overlook on Wascana Lake in Regina.

The Saskatoon Centennial Auditorium
TCU later under renovation in 2005

Construction began in 1967 and was completed a year later. It was part of the major mid-century redevelopment of Saskatoon’s downtown, which also included the Midtown Plaza.

This inaugural performance by the SSO featured Carl Orff’s Carmina Burana, with participation from the Greystone Singers, U of S Chorus, Saskatoon Choral Society, and the Saskatoon Boy’s Choir.

Over the years, the venue has hosted many concerts, performances, and speakers. Some highlights include:

The Troggs – April 9, 1968 – Just 8 days after opening night.

Anne Murray – March 12, 1971 – A record-breaking event that sold out the entire auditorium in just 90 minutes.

The Black Keys – June 30, 2011 – Fastest online sell-out in the venue’s history, with tickets snapped up in mere minutes.

Marilyn Manson – February 6, 2003 – Made global headlines when the performer threw up and fainted on stage during the concert.

TCU Place, 2022

Here’s to all the years and performances spent at TCU Place, its been an incredible journey.

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Joni Mitchell – SSO History

Joni Mitchell abstract painting

As we begin the countdown to our 100 year anniversary in 2030, we’re reflecting on the concerts, artists, and moments that helped make your SSO everything it is today.

Today in particular we’re looking back at the impact Joni Mitchell had on music.

Singer, songwriter, multi-instrumentalist, and painter, Joni Mitchell is a creative visionary who has gained a reputation as one of the greatest artists of all time. Often described as a “painter derailed by circumstance,” she applied a visual artist’s eye to her lyrics and unconventional musical compositions.

Born Roberta Joan Anderson in 1943, she survived a childhood bout with polio that left her with weakened hands – a challenge she eventually turned into a creative signature by developing over 60 unique open guitar tunings to make playing easier. These tunings became the foundation of her distinctive, harmonically-rich sound. She also painted nearly all of her own album covers, viewing her music and painting as two sides of the same creative coin.

Mitchell’s career began in Canadian coffeehouses before she moved to the U.S. in 1965. She quickly became a “songwriter for the stars,” with artists like Judy Collins and Crosby, Stills & Nash turning her originals into hits before she was a household name herself.

Her 1971 album “Blue” is widely considered one of the greatest confessional albums ever recorded. It offered a raw and unfiltered look at her relationships and personal struggles, and would eventually influence artists like Prince and Taylor Swift. 

Our 2018 performance of Mitchell’s music with Sarah Slean was a landmark first live performance of Vince Mendoza’s beautiful orchestrations – this new concert paired favourites like A Case of You and Both Sides Now with classics like River, Blue, and Circle Game. It was an extra special performance here in the singer-songwriter’s hometown in celebration of her 80th birthday.

Joni Mitchell abstract painting
Disney Fine Artist Denyse Klette’s abstract painting of Joni Mitchell for the SSO.

It is truly an honour for the SSO to have the opportunity to share music like that of Joni Mitchell with the entire community. We strive to continue to bring music rich in history, emotion, and culture to the city of Saskatoon.

See what is coming up with your orchestra here:

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Harry Belafonte – SSO History

As we begin the countdown to our 100 year anniversary in 2030, we’re reflecting on the concerts, artists, and moments that helped make your SSO everything it is today.

Today in particular we’re looking back at the time we got to experience with Harry Belafonte.

Singer, actor, and civil rights activist Harry Belafonte was a barrier-breaking artist whose career spanned 80 years. But did you know that the “King of Calypso” performed with the SSO numerous times during his career?

Harry Belafonte was born on March 1, 1927, in Harlem to Jamaican-born parents. He dropped out of high school to join the Navy and served during World War 2. After the war, he got a job as a janitor and eventually took acting classes at the New School in New York (alongside the likes of Sidney Poitier, Marlon Brando, and Bea Arthur.)

He hit the charts and the big screen in the mid 50s, and was a household name by the 60s, when he became deeply involved in the Civil Rights Movement. It was Belafonte himself who bailed his good friend Martin Luther King, Jr. out of the Birmingham Alabama jail in 1963, in addition to raising funds for other protesters. 

Belafonte first performed with the SSO in 1977 while on a tour to raise funds for Canadian orchestras. When his show in Montreal was canceled, Belafonte suggested coming to Saskatoon instead – a place he had visited a few times in the 70s –  “a place of warm and kind people” who packed Centennial Auditorium with just 8 days notice of the show.

This concert featured a performance of Belafonte’s brand-new song “Turn the World Around” from the 1977 album of the same name – a track he also famously performed on The Muppets Show (and later at Jim Henson’s funeral.)

The concert program cover for Belafonte’s performance on December 4, 1977.

So it’s safe to say that your SSO has had it’s fair share of great collaborations, dating quite a ways back!
Stay tuned to your SSO’s InTune blog to catch more stories, throwbacks, upcoming news, and more!

See what is coming up with your orchestra here:

What’s Coming?

See you at the symphony!