Having performed across Western Canada, the United States, and Europe, Lisa is always happy to be close to home with the Saskatoon Symphony Orchestra. And so are we! Lisa has long been a favourite of SSO audiences for her emotionally deep performances of Messiah.
She has been acclaimed for performances in repertoire ranging from Baroque to contemporary composers; her voice has been called rich and powerful and her stage presence has inspired audiences and musicians alike.
After completing a Bachelor of Music in Voice Performance at the University of Saskatchewan (Professor Dorothy Howard), Lisa went on to further her studies at the Institute of Vocal Arts in Chiari, Italy. This was followed by an intensive study time at Southern Illinois University (Mr. Richard Best). Later she completed a year of study, with the support of the Saskatchewan Arts Board, working with Mr. Nico Castel, Dr. Everett McCorvey, Dr. Cliff Jackson, Dr. Bill Cooper, Professor Micheal McMahon, Professor Tedrin Lindsey, and Mr. Richard Best.
Lisa believes that every child deserves the opportunity to sing, and runs a non-audition Community Youth Choir that provides this place. For several years she directed the Meota Men’s Choir, a non-audition men’s choir that was very active in the Battlefords and surrounding area. Lisa has gained a deeper appreciation and love of choral arts through her continued work as vocal coach for Cantilon and Belle Canto, professional touring choirs based in Edmonton, Alberta, under the direction Heather Johnson.
Lisa is the founder and director of Summer School for the Solo Voice, a week long study and performance opportunity for singers, choral conductors, accompanists and voice teachers of all ages and abilities. Growing from a local to a national, and now, international program, SSSV celebrated its 20th Anniversary in July, 2017.
In October of 2017, Lisa was presented with the Saskatchewan Music Educators Association’s Outstanding Achievement Award. She has also been bestowed as one of the University of Saskatchewan’s Arts and Science Alumni of Influence.
Lisa lives in North Battleford with her husband John.
Part of our exciting celebration on December 7th will be telling of A Child’s Christmas in Wales.
The popular prose of Dylan Thomas‘ recollection of Christmases past were made famous by Caedmon Records in 1952 as being one of the earliest commercial audiobooks, with Thomas’ own voice telling the story. The reminiscent lines were a last minute addition to the LP that opened the general market for audio recorded books. This time it will be Dr. Garry Gable returning to help us bring the tales to life.
Selected excerpts of these childhood stories are further imagined with Gary Fry‘s orchestrations.
Fry’s version was commissioned not as long ago back in 2003 for the Chicago Symphony Orchestra. You will be able to hear the familiar tunes “Good King Wenceslas” and an exuberant Celtic version of “Hark! the Herald Angels Sing” sung by the returning choirs – University Chorus (James Hawn) and University of Saskatchewan Greystone Singers (Dr. Jennifer Lang)!
There may, or may not be some sleigh riding going on later in the concert, too… But you will just have to come to find out!
With holiday preparations in full swing, the SSO would love to give you some Christmas cheer on Saturday, December 7th! Our cocnert Christmas with the SSO will feature many guests with the orchestra, including two very special people…
Dean McNeill – trumpet
He should look familiar!
Dean McNeill has been with the Saskatoon Symphony Orchestra for over 20 years, and it is our pleasure feature him in this concert.
Our local trumpet player and composer is a Full Professor at the University of Saskatchewan, directing the University of Saskatchewan Jazz Ensemble, the Saskatoon Jazz Orchestra, and leading the Saskatoon Jazz Society’s Jazz Workshop program. He has received the University of Saskatchewan Department of Music’s Dwaine Nelson Teaching Award for his past administrative service as Department Head in 2004-2009, and a Special Recognition Award from the Saskatchewan Jazz Festival for his contributions to jazz in Saskatchewan. You can hear his stellar playing on the album O Music as soloist with the composition Kalla which won the 2012 Western Canadian Music Award for Classical Composition of the Year.
As a Yamaha artist, Dean has performed as a guest artist with the National Youth Band of Canada, as well as with professional ensembles such as the Winnipeg, Edmonton, Vancouver Jazz Orchestras and the Calgary Creative Arts Ensemble. He has performed alongside the likes of Kenny Wheeler, Pat LaBarbera, Michael Cain, Hugh Fraser, Tom Banks, Brad Turner, Kelly Jefferson, David Braid, Bob Mintzer, Denzal Sinclaire, PJ Perry, Ingrid Jensen, Jon Balantyne, Campbell Ryga and many others.
You can hear more of him on his two albums Prairie Fire: Large Jazz Ensemble Music of Dean McNeill and Mélange: New Music For Trumpet and Piano, and most recently composed repertoire on Complete Rebirth of the Cool.
Elly Thorn – vocalist
Performing artist Elly Thorn was raised in the small Saskatchewan community of Saltcoats. Typical of rural life, Elly took music lessons as a way to fill the long, hot prairie summer and cold winter days that keep you stuck indoors. She began her musical career touring with Saskatchewan Express, as well as the Canadian Heritage Society’s Spirit of a Nation.
Elly studied at the Canadian College of Performing Arts in Victoria, B.C, performed aboard Norwegian Cruise Lines, has acted in TV series like Rabbit Fall and Corner Gas, and appeared in stage adaptations of Evita and Toon Town with Saskatoon’s Persephone Theatre.
With the performance on December 7th as Elly’s debut with the SSO, we will welcome her original compositions and hope to share her excitement with the audience as she lives through this songwriter’s dream. You will even have the opportunity to take home her newest album of Christmas music, releasing the night of the concert!
Spoiler – one of the songs that will be featured that evening will be “There’s a Heaven”, and will be great reminder to cherish all the good family moments that you can:
I wrote is this song almost four years ago, two days after I heard about a young family whose lives were taken in a car accident. The tragedy shook me to the core because we also had little ones of similar ages. We were in the midst of putting away Christmas for the year, feeling that excitement and love as the festive season once again comes to a close when I heard the news. I felt broken and shaky, without even knowing who they were. We are all so connected, even more than we realize – we feel each others pain, energy, joys and brokenness… but we heal together too. I am a great believer that music heals.
Check out this recent tribute of Elly’s to what can often be a very “busy” time of year.
On November 16th, the SSO will see the return of the Saskatoon Youth Orchestra alongside them onstage. It has been nine months since these forces have last joined, playing the Roman Carnival Overture by Hector Berlioz in February. This time, it will be the Slavonic Dances of Antonín Dvořák that will open the evening. There will be more than 60 additional musicians combining with the SSO to bring this music to life.
Within their identity statement, the Saskatoon Youth Orchestra say that they strive to allow its participants to grow as community members and create lifelong friendships. This is clearly realized in our Homecoming concert considering that all three of our guest artists have played in SYO!
William Rowson (our guest conductor) was in the youth orchestra during the last Side-by-Side concert featuring the same Slavonic Dances in January of 1993! He was a member of the SYO violin section throughout the 1990-1993 seasons, starting as one of the youngest members at the time. He vividly remembers walking into the rehearsal room when they were beginning to play a piece he composed himself, being swept up in the soundscape:
Our piccolo player practicing the sleigh ride tune from Prokofiev’s Troika […] I was very nervous and excited. I saw everyone looking through my parts that my Mom and I had stayed up all night preparing. When ever I hear a piccolo play that tune […] I’m instantly brought back to that moment of being so nervous and excited to hear an orchestra play something I had written.
William says he would often bring borrowed scores home to study, so that he was able to better hear all the parts come to life in the group rehearsals each week.
Whether I knew it or not at the time, it was these formative years that really helped shape my life and career.
He was in the SSO’s violin section in the 2001-2002 season, overlapping with Carissa’s time in the orchestra, as well!
On Tuesday, November 12th, William will be at the McNally Music Talk at 7:00pm.
Carissa Klopoushak, like William, has been with us before as a member of SYO (1996-2000), SSO (1998-2006 as our Principle Violin II for the latter 3 seasons), and as a guest artist (in March of 2017). Her fondest memories of her earlier years with the SYO were of the Rosthern retreats, a tour to Langley, and the Banff International Festival of Youth Orchestras (BIFYO) in 1998. She also participated in the Side-by-Side performances during these years, with the first in April of 1996:
My first side-by-side with the SYO and SSO was the most incredible – we played Mahler 1 and it was an absolute life-changing experience for me. I still love that piece so very much and have such fond memories of it.
It is no doubt these experiences helped her see her goal of becoming a professional musician see come closer into her grasp. You will find Carissa playing “like a rockstar” in this upcoming concert in Vivian Fung’s Violin Concerto, as indicated in the score! Following that, she will be leading a masterclass at the University of Saskatchewan for music students and members of the SYO. In the bit of downtime she will get, Carissa hopes to see as much family and friends as possible, getting to places such as Hearth and Museo – but also practicing her orchestra music for NACO’s concert next week!
Ryan Cole, in addition to being in SYO for the 2004-2005 season, was an extra with the SSO in 2009. He was seated beside our Principle trumpet player, Terry Heckman, for the infamous Symphonie fantastique by Hector Berlioz.
I recall trying to read the part while Terry played, and having no idea how he was doing it. I remember trying to stay focused on my part while being amazed at how effortlessly he played such a difficult solo. This comes to mind because I recently got to perform this exact part for the first time here in Victoria, and I had very vivid flashbacks of this experience sitting beside Terry.
For this upcoming concert, Ryan will be showcased in Marcus Goddard’s Trumpet Concerto, a piece which was specially composed for him. While he is here, Ryan will also be making stops at the University of Saskatchewan for masterclasses, and to give a talk to music students detailing his path to becoming a professional orchestral musician. He will also make a few visits to high schools to a similar presentation to aspiring students. When it comes to food, Ryan is planning to make it to some key places in the city, namely Ayden for a special family supper, Hometown Diner so his expecting wife Kayleigh can have her requested chicken and waffles, and to Alexander’s for some traditional post-performance nachos!
The SSO has decided we want to be the change we want to see in orchestral music – so this year we’re highlighting the music of living female composers…in fact, every Masters Series concert has a living female Canadian composer on it! And we knew we had to feature a Saskatchewan composer to start the whole year off. You’re going to love Laura’s music!
Laura Pettigrew’s contributions in Canada are well known but her influence and achievement have now expanded to all over the world. Her works have received world premières by Toronto Symphony Orchestra, (Canada) GRAMMY® Award–winning I Solisti Veneti (Italy), Regina Symphony Orchestra (Canada), Massive Brass Attack (Portugal), Nicole Gi Li and Corey Hamm (Piano Erhu Project or PEP), and Foothills Brass (Canada), Borealis Brass (USA) among others, and featured on recordings by national and international soloists and ensembles as well as in the international award-winning short film, The Sky Came Down, Laura Pettigrew is making her mark on the world stage. Her music has been praised as “spectacular, breathtaking, inspirational” (Reel Rave International Film Festival 2013); “sublime with a style reminiscent of the television show Game of Thrones…patrons were drawn in by the composition…simply put it was awesome” (Regina Leader Post); “Bellissimo” (LA9 SAT Television Station, Padua, Italy): “Dòchas enveloped the Roy Thomson Hall, entrancing the audience immediately with a lavish, calming sound” (Broadway World)
She has been the beneficiary of many scholarships and grants from: Saskatchewan Foundation for the Arts Artist Awards, Regina Artist, Saskatchewan Arts Board, Creative Saskatchewan, Canadian Music Centre, Saskatchewan Film Tax Credit, and been honoured with awards for her commitment to the arts, community and philanthropy: Mayor’s Arts and Business Award, Living the Arts ; University of Regina Alumni Crowning Achievement Award – Distinguished Humanitarian and Community Service ; YWCA Women of Distinction, Jacqui Shumiatcher Arts Award, nominated for the Lieutenant Governor’s Award 2013 and included in the newly published international COMPENDIUM MUSICAE FLAUTA, Encyclopedia of Flute Works by Women Composers.
Today, Laura has become a much commissioned, published and performed symphonic, solo, ensemble and choral composer as well as an accomplished teacher and clinician. She received Two commissions for Canada’s 150th celebration in 2017: Manotick Brass Ensemble AND Toronto Symphony Orchestra’s Canada Mosaic Project, Her Sesquie titled “Dòchas” was premiered December 5, 2017 by Toronto Symphony Orchestra and November 25, 2017 by Regina Symphony Orchestra, partner orchestra for Toronto Symphony Orchestra’s Canada Mosaic Project.
Her works include: orchestral, chamber, wind ensemble, vocal/choral, piano, solo instrumental, film score and
orchestral arrangements.
She is an avid supporter of the Adkins Chiti Foundation, Donne in Musica (Women in Music), Associate composer of the Canadian Music Centre,: Member of : Canadian League of Composers, SOCAN and International Women’s Brass Conference promoting and encouraging composers and musicians to ensure equality prevails for women and men alike.
Laura believes we are all born with a gift and driven by her passion she derives great joy sharing her knowledge and talent. Inspired by historical events, people, landscape, mythology and literature it is the emotional melodic expression that resonates throughout her works.
Tying music events into a wide range of philanthropic endeavours she has also become a voice for those enduring difficult times. Growing up grounded in community she understands the intrinsic value of being one part of a sum and states “without community we are but one alone in the world”.
Hear Laura Pettigrew’s Dochas with the SSO on September 21st for Opening Night.
Many people dream to one day visit the world famous music hall, and now students in Saskatoon have the opportunity to have a close connection with it! The Saskatoon Symphony Orchestra is so excited to announce our new partnership with Carnegie Hall Weill Music Institute with their education initiative Link Up.
Link up is a highly participatory program where grades 3-5 students learn to sing and play the recorder (or another classroom instrument), and perform with the SSO from their seats at the “culminating concert” at TCU Place. All of the teaching resources are open source, and teacher and student manuals are sent straight to the schools.
This year, we are doing the program “The Orchestra Sings” where students will explore timeless classical repertoire such as Ludwig van Beethoven’s “Ode to Joy”, “Simple Gifts” from Aaron Copland’s Appalachian Spring, and the main theme of the “New World” Symphony by Antonín Dvořák.
Over 100 students are already signed up, and we are eager to reach our goal of 1000 students for this year’s program!
Visit [button link=”https://saskatoonsymphony.org/linkup/”]Link Up[/button]for more information!
Forward this on to the teachers you know, and please direct questions to outreach@saskatoonsymphony.org!
After his truly amazing SSO debut, Stéphane is back…and with another one of the great cello concertos! He and the “Countess of Stainlein, Ex-Paganini” will perform the Dvořák Cello Concerto on September 21st. The 1707 Stradivarius cello is on generous loan by Mrs. Sophie Desmarais.
Our returning guest recently received the 2018 Maureen Forrester Next Generation Award. This was in recognition of his sensitivities with music, his enviable technique, and his considerable communication skills. Previous to that in 2015, he was selected as laureate of the Classe d’Excellence de violoncelle Gautier Capuçon from the Fondation Louis Vuitton, and received the Women’s Musical Club of Toronto Career Development Award. He was the very first recipient of the $50,000 Fernand-Lindsay Career Award. For three straight years, Stéphane was ranked amongst “CBC Radio’s 30 Hot Canadian classical musicians under 30”.
Chosen as the first ever Soloist-in-Residence of the Orchestre Métropolitain, he performed alongside Yannick Nézet-Séguin during the 2014-2015 season. Further during their 2017-2018 season, he took part in the Orchestre Métropolitain’s first European tour with Maestro Nézet-Séguin and made his debut with the London Philharmonic Orchestra.
Stéphane has performed with pianists Jan Lisiecki and Charles Richard-Hamelin, who have been mostly recently on the TCU Place stage in 2017 and 2016, respectively. He also participated in a number of masterclasses, notably with cellists Gautier Capuçon and Frans Helmerson. In 2017, Stéphane partnered with harpist Valérie Milot and violinist Antoine Bareil for a third album dedicated to Trios for Violin, Cello and Harp:
“The solo playing is astonishingly mature not merely in its technical attributes but also in its warmth, brilliance and subtlety of colour and inflection.” – Geoffrey Norris, Gramophone
He made such a huge impression on not only the SSO’s audience, but on the musicians and the admin team – as generous with his time as he is with his artistry, Stéphane has quickly become one of the SSO’s favourite collaborators.
As we’re preparing for our upcoming season to start, we thought we’d share what some of our guest artists are up to this summer!
Carissa Klopoushak
Ironwood Quartet
Before getting back to the swing of things playing in the National Arts Centre Orchestra and preparing for her November performance with the SSO, Carissa has been working with her team at Ironwood Quartet. The quartet has just recently wrapped up some performances at summer festivals, including their own! They are at the helm of the Classical Unbound Festival where the serve as artists-in-residence – the festival’s goal is to unbind so-called ‘classical’ music from its formal attire and bind it more closely to our hearts and souls.
Carissa’s creative juice never takes a summer break though – we know she’s already working with her colleagues at Ritornello to plan next year’s festival. This November she returns to the SSO to perform a truly stunning work, Vivian Fung’s Violin Concerto No 1, as part of this season’s Homecoming concert!
Danika Lorèn
Original art by Loren for Crumb’s Apparition
After finishing a refreshing run in Saskatoon Opera’s Die Fledermaus, Danika headed back to Toronto to prepare for some new performances with her group Collectif. The group strives to create new experiences for audiences through multi-discipline adventures in art song. This summer they’re performing as part of Toronto Summer Music and Wellington Water Week. They re-think the concert experience, creating films and animations, and doing it all themselves!
Their new cabaret for Wellington Water Week, called Watering Hole, has classical music getting a dash of comedic irreverence in a casual atmosphere. With tons on her plate over the next few months, it’s exciting to have Danika returning to the SSO to sing Handel’s Messiah – its one of the most anticipated performances this season!
Ryan Cole
Victoria Symphony Splash
It seems like all good musicians Ryan is spending his summer with his instrument! As the Principal Trumpet of the Victoria Symphony, he’s prepping for Splash! It’s the big highlight of their summer season – in true island fashion, the orchestra plays from a barge in the Victoria inner harbour to over 40,000 people gathered on the lawns of the legislature and the Empress hotel (and even all around them in kayaks!). It really is a special concert in Victoria.
Between all the concerts and teaching summer session at the Victoria Conservatory of Music, he’s going to make a trip home to enjoy some of this stellar Saskatoon summer. This November Ryan makes his SSO solo debut performing a new concerto written just for him, Marcus Goddard’s Trumpet Concerto. We’re thrilled to showcase this special musical moment.
And if you follow him on social media, you already know he’s practicing!
Spencer McKnight
Cast of Don Giovanni
Opera, apperol spritz, and pasta…ahead of coming home to begin work on new rep for the upcoming season, including a number of debuts, Spencer is in Italy singing his heart out. He just recently completed a run of the role of Don Ottavio in Mozart’s Don Giovanni in Vicenza, and is taking time to be a tourist for a bit before he says arrivederci Roma!
Spencer is stepping on to the TCU Place stage with the SSO next spring with the North American debut of Materna Requiem by Rebecca Dale. The work features an unusual setting of the requiem’s Pie Jesu – normally sung by a female or child, Dale’s Requiem places the piece into the voice of a tenor to highlight a father’s love for his new born son.
In the year ahead he’s making a number of special appearances as well as solo recitals, including performances of his new recital Songs of the Isles in spring 2020.
I recently had the chance to see one of my favourite paintings in person for the first time. I’ve seen endless copies of this particular painting since I was a kid; the particular gaze of the girl in painting, the light on her jewelry, the folds of her clothing – I thought I knew every inch of this painting.
But as I sat for a while and stared at her I realized that she was completely different than I’d ever imagined. Her gaze was the same as I’d seen in books and posters and copies, and the light seemed to dance across her face in the same way, but she was different. She sparkled. More precisely, the negative space around her wasn’t just darkness but rather it was darkness filled with the movement of light in the room in which I was standing. I wasn’t looking at a painting, I was inside the world the artist created.
This past weekend I was sitting in the audience at Knox as the SSO and Chorus performed our last concert of the season. I was feeling a sense of relief and gratitude that it was the perfect end for a very strong season. I was enjoying that the audience was so excited to be there, and enjoying the joy on the face of each and every chorus member as they got to sing their hearts out. And then it happened again. Along came Mozart’s Ave Verum Corpus, a piece I have heard endless times in my life – and to be honest, I’ve never felt it was his best work. I’ve always felt it was a bit much…a great commercial pop hit from an artist who could write truly thrilling music. And played to death on radio and CDs. But faced with the piece performed by live chorus and orchestra, I was struck. It’s not just another “hit”, but a deeply personal and moving moment when Mozart places you right inside the world he created; its graceful and gentle, but deeply sincere. It’s exactly the sound Mozart had intended on creating for the listener.
The truth of the matter is, in 2019 we don’t have many moments in our day to day lives when our soul gets swept up in the moment. Between trying to Marie Kondo our way to happiness and snapchat filter our way to feeling good about ourselves, our day to day lives aren’t much to revel in. The realities of life don’t give us a natural pause. There is no natural cadence from stress in an ever connected world, and no ordinary distraction from how exhausted our schedules are making us. And while spending $3 on a mindfulness app might be the answer to all your worries, I strongly recommend making art and music a significant part of your life.
But there is no replacement for the real thing. Seeing copies of that painting for the rest of my life, I would have never realized how deeply the painting spoke to me. It was a great reminder to me that there is no substitute for an orchestra.
In my conversations with patrons this year I’ve heard about the music that really moved them – from a newer patron who found Mozart’s Requiem to be wonderfully intense, to the long time music lover who is still deeply moved by last season’s Armed Man. One thing became clear: the sound of hearing this music live was wholly different than listening to a recording. The sound of a live symphonic orchestra cannot be faked.
We have a few more days until the end of this year’s Share in the Future campaign. We set a lofty goal this year, and we’ve got about $40,000 to raise before the end of day on Friday to reach our goal of $300,000. This year’s campaign is special because if we are successful, we will have made the SSO deficit free. This is a remarkable accomplishment for any orchestra in 2019, but a significant achievement for Saskatoon’s orchestra.
This achievement would not be possible were it not for the exceptionally generous support of the Frank and Ellen Remai Foundation. The Remai Foundation’s matching of donations instantly doubles your support of your orchestra, and allows us to boldly enter a new era for your symphony.
Imagine only ever having the chance to hear recordings of orchestral music. It’s just not the same. A live symphony orchestra is a vast expanse of sound that captures the size and intensity of human expression. It can be as big as a prairie sky or as personal as a broken heart. It can bring you to your feet or move you to tears. It has the power to be the loudest sound you’ve ever heard or so soft that the entire room sits in silence to hear the next note. It’s an extraordinary experience.
I invite you to join me in making a donation to the Share in the Future campaign in these final days. It feels really good to be part of something this momentus for Saskatoon’s oldest arts organization, and it sends a clear message to the musicians of the SSO that their work is valued and supported by their community.
It’s true that without an orchestra in town, life would go on. But without the chance for future generations to come face to face with this glorious sound, they’ll never understand the power of a live orchestra.
I’m certain of this – because until the day I came face to face with that painting, I had no idea she sparkled.
Thank you for making music matter, Mark Turner Executive Director
To make a gift to our Share in the Future campaign:
It’s subscription season at the SSO! We’ve carefully programmed 16 concerts for you to choose from. Six Masters, four Pops, three Chamber and three Baroque. You can subscribe to everything, to each series, or make your own series with a flex pack.
Your flex pack can be built around the concerts that excite you most or the dates that work best for you. We’ve put together some other flex pack collections that might intrigue you below:
While orchestras do have the advantage of blind auditions, which means there are more opportunities for equality amongst musicians, the orchestral world is still playing catch up when it comes to female composers. Want a subscription package that includes a female composer in each concert? Look no further than our Masters series! We didn’t choose these pieces because they were composed by women, we chose them because they are beautiful works by contemporary artists. Take our concert on March 7th. We will be doing the North American premiere of Rebecca Dale’s Materna Requiem.
Perhaps you want to take advantage of our prairie connections. There is a wealth of talent that has grown up here on the prairies and moved away to continue their education and careers. We are always happy to bring them home to perform with us!
You could create a Praire 5-flex with: Homecoming (November 16, 2019) with both guest artists and the guest conductor all having prairie roots. Christmas with the SSO (December 7, 2019) with special guests including Elly Thorn, the University Chorus and our own Dean McNeill. Thomas Yu with the SSO (February 8, 2020) Thomas returns home to play more Saint-Saëns with the SSO! You may remember when he was here in 2016 to play Carnival of the Animals with Godwin Friesen Requiem – North American Premiere (March 7, 2020) Soprano Chelsea Mahan and Tenor Spencer McKnight are joined by the University of Saskatchewan’s Greystone Singers for this North American Premiere. Accent with the SSO (March 21, 2020) Two of Accent’s members are from Saskatoon and we can’t wait to bring them here! We’ve followed their journey online and across the globe.
If you are all about vocal and choral music we have several options this season! On top of the prairie picks we mentioned featuring vocal soloists and/or choirs (Requiem, Christmas with the SSO, Accent, and Messiah) we are extremely excited to be included in Jeremy Dutcher’s orchestra tour.
Dutcher will be joining us on stage at TCU Place on November 9 and we’ve already had several people asking about single ticket sales. Some of the benefits of subscribing to the SSO means you get tickets before single tickets go on sale August 1, and you get a discount for buying in bulk. Early bird prices end May 31, while there is still a discount for subscribing compared to single ticket purchases, the deals are better the earlier you subscribe!
Prefer your flex pack to be all about guest artists showing off their instrumental skills?
Here’s Jane Coop performing a Beethoven Concerto, though not the one she will be performing with the SSO. We are excited to have this pianist on stage to play Beethoven’s Piano Concerto no. 3 in C minor.
We are always looking for ways to be a more eco-conscious organization and how to do our part when it comes to climate change. We have have been thinking about it so much we have inadvertently included works related to mother nature in several concerts. Enough so that you could create your own Mother Nature flex pack.
There’s the Four Seasons (October 5, 2019), our concert with Thomas Yu (February 8, 2020) includes Canadian composer Vincent Ho’s Earthbeat, paired with the Requiem (March 7, 2020) is Jocelyn Morlock’s Oiseaux bleus et sauvages and our Family Movie Night (January 25, 2020) will take us under the sea.
And one can’t forget the audience favourite The Planets (October 19, 2019). We are pairing the movements of Holst’s work with Canadian composer Heather Schmidt’s Lunar Reflections to give us a whole galaxy tour all from the comfort of your seats in TCU Place.
You can create flex packs based on contemporary composers, “the hits”, new works, works new to you, and any other reasoning/combination that works for you. We may be biased, but we believe you can’t go wrong with any subscription pack from the SSO!
You can subscribe any time before opening night by giving us a call or stopping by our new office. Early bird prices end May 31 so the best deals are ending soon.
See you at the Symphony (office)!
p.s. We are working to raise $300,000 by May 31 for this year’s Share in the Future campaign. All donations made by May 31 are going to be matched by the Frank & Ellen Remai Foundation. Your donations help us keep our ticket prices more accessible, our outreach programs running, and help us continue to bring incredible concerts to you! Thank you for supporting live music by donating today.
Lisa is the founder and director of Summer School for the Solo Voice, a week long study and performance opportunity for singers, choral conductors, accompanists and voice teachers of all ages and abilities. Growing from a local to a national, and now, international program, SSSV celebrated its 20th Anniversary in July, 2017.
