Over the last year, Kendra Harder (she/hers) and the Saskatoon Symphony Orchestra have been offering free online courses for the public about female composers, focusing on their experiences, the reasons for their erasure from textbooks, and, naturally, the wonderful music they have created. As an extension of this class, we are hosting a panel discussion dedicated to Trans and Non-Binary composers and artists.
This discussion will explore various aspects of navigating the performing arts and composition worlds from a trans or non-binary perspective while celebrating the constellation of genders that exist in the world.
Being on YouTube Live, there will be an opportunity for a question and answer period to create an interactive international experience!
[box type=”info” size=”large” style=”rounded”]When: Wednesday, June 16th at 11:00am-12:00pm CST
Our five panelists:
[box]respectfulchild is an interdisciplinary artist born, raised, and living as an uninvited guest on Treaty 6 Territory. Their work explores the quiet tensions and chaotic beauty of being a queer Chinese settler on the prairies, ranging from spontaneous improvisation to meticulous composition. Their debut album 在找::searching:: was released in the summer of 2017 on Coax Records and they have toured across Canada and Europe with artists such as Rae Spoon, A Tribe Called Red, and Jeremy Dutcher.
The name respectfulchild is the literal translation of their Mandarin name 敬兒[jìng er]. This name was given to them by their grandmother when they were born, a name and a culture they’ve become estranged from having lived their whole life in the predominantly white world of the Canadian Prairies. The music of respectfulchild is their quiet way of seeking meaning in 敬兒 again.[/box]
Theo Baer (he/his)
[box]Theo Baer is a Brooklyn-based composer and performer. His work is the result of a diverse musical upbringing and journey towards emotional healing as a black and trans artist. His individual approach to melodic sound is influenced heavily by an eagerness to adapt and experiment with a variety of genres. These compositions illustrate an intimate and vulnerable narrative channeled through the manipulation of tape loops, synthesizers, keyboards, and other electronic voices.The resulting pieces reflect an eclectic upbringing in musical performance. iT Boy is Baer’s solo electronic project.
Dr. CN Lester (they/them)
[box]CN Lester is a writer, musician, academic, and leading LGBTI activist. Co-founder of the UK’s first national queer youth organisation, they curate the trans art event Transpose for Barbican, and work internationally as a trans and feminist educator and speaker. Their work has featured on BBC Radio 3, BBC Radio 4, SBS, The Guardian, ABC, The Independent, Newsnight, and at Sydney Opera House.
A singer-songwriter and a classical performer, composer and researcher, CN specialises in early and modern music, particularly by women composers. Gigs/engagements include work at The Barbican, Southbank Centre, Snape Maltings, The Royal Exchange, Fluid Festival, Queer Prides throughout Europe, and art galleries/bars/recital halls/book and coffee shops/universities throughout the UK. They have released three independent, crowd-funded albums: “Ashes” (2012), “Aether” (2014) and “Come Home” (2017) – all available via iTunes, Amazon and Spotify.
“Trans Like Me” (Virago/Seal) is their first book, named as one of the three essential works on trans issues by The New York Times. With glowing reviews from The Times Literary Supplement and Publishers Weekly, “Trans Like Me” is a collection of essays on gender, society, history, and building better futures.
They live in London and drink too much coffee.[/box]
inti figgis-vizueta (she/her)
[box]Originally from Washington D.C. and now residing in New York City, inti figgis-vizueta (b. 1993) focuses on close collaborative relationships with a wide range of ensembles and soloists. Her musical practice is physical and visceral, attempting to reconcile historical aesthetics and experimental practices with trans & indigenous futures. The New York Times speaks of her music as “alternatively smooth & serrated”, The Washington Post as “raw, scraping yet soaring”, and the National Sawdust Log as “all turbulence” and “quietly focused”. inti is the 2020 recipient of the ASCAP Foundation Fred Ho Award for “work that defies boundary and genre”.
Recent commissions include works for the Kronos Quartet, Attacca Quartet, JACK Quartet, Crash Ensemble, & Music from Copland House Ensemble, as well as Jennifer Koh, Matt Haimovitz, & Andrew Yee. Her music has been presented in spaces such as Carnegie Hall, Lincoln Center, Chicago Symphony Center, Kennedy Center, Walt Disney Concert Hall, Louise M. Davis Symphony Hall, and the Dublin National Concert Hall. She is currently in residency at So Percussion’s Brooklyn studio for the ‘21-22 season.
inti is a mentor for the ‘21-22 Luna Composition Lab & the Boulanger Initiative Mentorship Program and returning ‘21 faculty member for the Young Women Composers Camp. inti maintains a busy presentation schedule, with recent talks at McGill University, Manhattan School of Music, the LA Phil Composer Fellowship Program, UC San Diego, and UC Santa Barbara. inti also regularly appears on artist panels including engagements with National Sawdust/Center for Ballet & the Arts @ NYU, University of Kansas, American Composers Forum, and the New Latin Wave Festival.
inti studied privately with Marcos Balter, George Lewis, Donnacha Dennehy, and Felipe Lara. inti received mentorship from Gavilán Rayna Russom, Du Yun, Angélica Negrón, Tania León, and Amy Beth Kirsten.
inti loves reading poetry, particularly Danez Smith and Joy Harjo. inti honors her Quechua bisabuela, who was the only woman butcher on the whole plaza centraland used to fight men with a machete.[/box]
Camille Rogers (they/them)
[box]As a performer, Camille Rogers (they/them) has been praised for their “tremendous stage presence” and “real flair for comedy” (Operaramblings). Camille’s “gossamer mezzo-soprano” (Mooney on Theatre) has been described as “even-keeled and grounded even in times of intense physicality” (Schmopera). Camille has also been recognized for their work as Co-Artistic Director of Toronto’s queer opera collective OperaQ, and has been invited to speak at related events hosted by Amplified Opera, the University of Toronto, and VIVA! Youth Singers of Toronto.
Camille currently studies at the University of Toronto, pursuing a Doctor of Musical Arts with a Collaborative Specialization in Sexual Diversity Studies. Their research, supported by the prestigious Joseph-Armand Bombardier Canada Graduate Scholarship, investigates how problematic historical works of music theatre can be transformed and made relevant to today’s audiences through the bodies of modern queer performers. As part of their studies, Camille is currently developing a narrative recital portraying the extraordinary life story of gender-non-conforming opera singer and duellist Julie d’Aubigny (1670-1707). With OperaQ, Camille is in the process of producing a queer chamber opera with a libretto by award-winning Canadian poet Charlie Petch.
An active performer in many styles of opera, Camille most recently appeared as Suli/Suzie in Buddies in Bad Times’s world premiere of Pomegranate, and as Aeneas in Dido and Aeneas with OperaQ. Other past engagements include the role of Lake in FAWN’s collectively improvised techno opera Belladonna, Young Girl in The Marriage of Figaro with Opera Atelier, and the title role of L’Italiana in Algeri with MYOpera. Camille has also been featured as a soloist with the Toronto Bach Festival and Cor Unum Ensemble, and has presented solo recitals with Centric MusicFest and Lethbridge Pride Fest.[/box]